<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-5853366542866928529</id><updated>2012-01-23T06:29:24.037-08:00</updated><title type='text'>All-Time Movie List</title><subtitle type='html'>&lt;i&gt;the list below may fluctuate over time though&lt;/i&gt;</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://back4creative.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853366542866928529/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://back4creative.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Tourist</name><uri>http://www.blogger.com/profile/01102483842697536526</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp2.blogger.com/_z5Itkou3V8c/Rfzp51dZQ7I/AAAAAAAAAOs/KYp2B_lKWTI/s400/blog1.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5853366542866928529.post-5860414568683568824</id><published>2005-10-11T20:29:00.003-07:00</published><updated>2012-01-23T06:29:24.073-08:00</updated><title type='text'></title><content type='html'>In July 2007, I became one of several hundred few on earth,&lt;br /&gt;who had seen all the movies on the IMDb Top 500 List.&lt;br /&gt;&lt;br /&gt;Most admired directors:&lt;br /&gt;#number in parenthesis denotes how many directorial works of the auteur I've seen&lt;br /&gt;&lt;br /&gt;1. Stanley Kubrick (12)&lt;br /&gt;2. Luis Buñuel (24)&lt;br /&gt;3. Alfred Hitchcock (30)&lt;br /&gt;4. Akira Kurosawa (22)&lt;br /&gt;5. David Lean (10)&lt;br /&gt;6. Sergei M. Eisenstein (8)&lt;br /&gt;7. Jean Renoir (17)&lt;br /&gt;8. Werner Herzog (21)&lt;br /&gt;9. Ingmar Bergman (26)&lt;br /&gt;10. F.W. Murnau (7)&lt;br /&gt;11. Orson Welles (12)&lt;br /&gt;12. Fritz Lang (14)&lt;br /&gt;13. Federico Fellini (19)&lt;br /&gt;14. Vittorio De Sica (10)&lt;br /&gt;15. Satyajit Ray (7)&lt;br /&gt;16. Martin Scorsese (15)&lt;br /&gt;17. Bernardo Bertolucci (13)&lt;br /&gt;18. Andrei Tarkovsky (8)&lt;br /&gt;19. Krzysztof Kieslowski (14)&lt;br /&gt;20. Robert Altman (11)&lt;br /&gt;21. Rainer Werner Fassbinder (14)&lt;br /&gt;22. Michelangelo Antonioni (14)&lt;br /&gt;23. Theodoros Angelopoulos (7)&lt;br /&gt;24. David Lynch (11)&lt;br /&gt;25. Robert Bresson (13)&lt;br /&gt;26. Jean-Luc Godard (24)&lt;br /&gt;27. Lars von Trier (14)&lt;br /&gt;28. Michael Powell (10)&lt;br /&gt;29. François Truffaut (22)&lt;br /&gt;30. Yimou Zhang (15)&lt;br /&gt;31. Emir Kusturica (9)&lt;br /&gt;32. Quentin Tarantino (9)&lt;br /&gt;33. Roman Polanski (13)&lt;br /&gt;34. Abbas Kiarostami (11)&lt;br /&gt;35. Eric Rohmer (19)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Most admired actors:&lt;br /&gt;&lt;br /&gt;Al Pacino&lt;br /&gt;Marlon Brando&lt;br /&gt;Humphrey Bogart&lt;br /&gt;Samuel L Jackson&lt;br /&gt;Clark Gable&lt;br /&gt;Robert De Niro&lt;br /&gt;Christian Bale&lt;br /&gt;Dustin Hoffman&lt;br /&gt;Peter Sellers&lt;br /&gt;Edward Norton&lt;br /&gt;Javier Bardem&lt;br /&gt;Daniel Day - Lewis&lt;br /&gt;Laurence Olivier&lt;br /&gt;Morgan Freeman&lt;br /&gt;Jack Nicholson&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Most admired actresses:&lt;br /&gt;&lt;br /&gt;Meryl Streep&lt;br /&gt;Barbara Stanwyck&lt;br /&gt;Liv Ullmann&lt;br /&gt;Judy Garland&lt;br /&gt;Gong Li&lt;br /&gt;Anna Magnani&lt;br /&gt;Natalie Portman&lt;br /&gt;Marlene Dietrich &lt;br /&gt;Audrey Hepburn&lt;br /&gt;Naomi Watts&lt;br /&gt;Ingrid Bergman&lt;br /&gt;Greer Garson&lt;br /&gt;Jodie Foster&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Most admired action stars:&lt;br /&gt;&lt;br /&gt;1. Bruce Lee&lt;br /&gt;2. Jackie Chan&lt;br /&gt;3. Jet Li , Tony Jaa&lt;br /&gt;4. Donnie Yen&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Most admired screen beauties:&lt;br /&gt;&lt;br /&gt;1. Greta Garbo&lt;br /&gt;2. Elizabeth Taylor&lt;br /&gt;3. Marilyn Monroe&lt;br /&gt;4. Bette Davis&lt;br /&gt;5. Rita Hayworth&lt;br /&gt;6. Lana Turner&lt;br /&gt;7. Veronica Lake&lt;br /&gt;8. Ava Gardner&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Most admired dancers:&lt;br /&gt;&lt;br /&gt;Gene Kelly&lt;br /&gt;Fred Astaire&lt;br /&gt;Donald O 'Connor&lt;br /&gt;Eleanor Powell&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Most admired comedians:&lt;br /&gt;&lt;br /&gt;1. Charles Chaplin&lt;br /&gt;2. Harold Lloyd&lt;br /&gt;3. Buster Keaton&lt;br /&gt;4. Marx Brothers&lt;br /&gt;5. Woody Allen&lt;br /&gt;6. Jim Carrey&lt;br /&gt;7. Stephen Chow&lt;br /&gt;8. Jacques Tati&lt;br /&gt;9. Roscoe 'Fatty' Arbuckle&lt;br /&gt;10. Laurel &amp; Hardy&lt;br /&gt;11. W.C. Fields&lt;br /&gt;12. Harry Langdon&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1902&lt;/strong&gt;&lt;br /&gt;A Trip to the Moon (1902, Georges Méliès)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1903&lt;/strong&gt;&lt;br /&gt;The Great Train Robbery (1903, Edwin S. Porter)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1915&lt;/strong&gt;&lt;br /&gt;The Vampires (1915, Louis Feuillade)&lt;br /&gt;The Birth of a Nation (1915, D.W. Griffith)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1916&lt;/strong&gt;&lt;br /&gt;Intolerance (1916, D.W. Griffith)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1919&lt;/strong&gt;&lt;br /&gt;Broken Blossoms (1919, D.W. Griffith)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1920&lt;/strong&gt;&lt;br /&gt;The Cabinet of Dr. Caligari (1920, Robert Wiene)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1921&lt;/strong&gt;&lt;br /&gt;The Kid (1921, Charles Chaplin)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1922&lt;/strong&gt;&lt;br /&gt;Häxan (1922, Benjamin Christensen)&lt;br /&gt;Nanook of the North (1922, Robert J. Flaherty)&lt;br /&gt;Dr. Mabuse: The Gambler (1922, Fritz Lang)&lt;br /&gt;Nosferatu, eine Symphonie des Grauens (1922, F.W. Murnau)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1923&lt;/strong&gt;&lt;br /&gt;Safety Last! (1923, Fred C. Newmeyer)&lt;br /&gt;Our Hospitality (1923, John G. Blystone &amp;amp; Buster Keaton)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1924&lt;/strong&gt;&lt;br /&gt;Greed (1924, Erich von Stroheim)&lt;br /&gt;Girl Shy (1924, Fred C. Newmeyer)&lt;br /&gt;Sherlock, Jr. (1924, Buster Keaton)&lt;br /&gt;The Last Laugh (1924, F.W. Murnau)&lt;br /&gt;Nibelungen: Die Siegfried (1924, Fritz Lang)&lt;br /&gt;Nibelungen: Die Kriemhilds Rache (1924, Fritz Lang)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1925&lt;/strong&gt;&lt;br /&gt;The Gold Rush (1925, Charles Chaplin)&lt;br /&gt;The Phantom of the Opera (1925, Rupert Julian)&lt;br /&gt;Ben-Hur: A Tale of the Christ (1925, Fred Niblo)&lt;br /&gt;The Freshman (1925, Fred C. Newmeyer &amp; Sam Taylor)&lt;br /&gt;Strike (1925, Sergei M. Eisenstein)&lt;br /&gt;The Big Parade (1925, King Vidor)&lt;br /&gt;Battleship Potemkin (1925, Sergei M. Eisenstein)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1926&lt;/strong&gt;&lt;br /&gt;Nana (1926, Jean Renoir)&lt;br /&gt;Faust (1926, F.W. Murnau)&lt;br /&gt;Mother, 1905 (1926, Vsevolod Pudovkin)&lt;br /&gt;For Heaven's Sake (1926, Sam Taylor)&lt;br /&gt;Flesh and the Devil (1926, Clarence Brown)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1927&lt;/strong&gt;&lt;br /&gt;Napoléon (1927, Abel Gance)&lt;br /&gt;The General (1927, Clyde Bruckman &amp;amp; Buster Keaton)&lt;br /&gt;The King of Kings (1927, Cecil B. DeMille)&lt;br /&gt;Wings (1927, William A. Wellman)&lt;br /&gt;The Jazz Singer (1927, Alan Crosland)&lt;br /&gt;The End of St. Petersburg (1927, Vsevolod Pudovkin)&lt;br /&gt;Berlin: Symphony of a Great City (1927, Walter Ruttmann)&lt;br /&gt;The Kid Brother (1927, Ted Wilde &amp; J.A. Howe)&lt;br /&gt;Sunrise: A Song of Two Humans (1927, F.W. Murnau)&lt;br /&gt;Metropolis (1927, Fritz Lang)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;The Lodger (1927, Alfred Hitchcock)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1928&lt;/strong&gt;&lt;br /&gt;Speedy (1928, Ted Wilde)&lt;br /&gt;Spione (1928, Fritz Lang)&lt;br /&gt;The Wind (1928, Victor Sjöström)&lt;br /&gt;The Circus (1928, Charles Chaplin)&lt;br /&gt;The Passion of Joan of Arc (1928, Carl Theodor Dreyer)&lt;br /&gt;The Little Match Girl (1928, Jean Renoir &amp; Jean Tédesco)&lt;br /&gt;Oktyabr (1928, Sergei M. Eisenstein &amp;amp; Grigori Aleksandrov)&lt;br /&gt;Storm Over Asia (1928, Vsevolod Pudovkin)&lt;br /&gt;La Chute de la maison Usher (1928, Jean Epstein)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1929&lt;/strong&gt;&lt;br /&gt;An Andalusian Dog (1929, Luis Buñuel)&lt;br /&gt;The Man with a Movie Camera (1929, Dziga Vertov)&lt;br /&gt;Pandora's Box (1929, Georg Wilhelm Pabst)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1930&lt;/strong&gt;&lt;br /&gt;All Quiet on the Western Front (1930, Lewis Milestone)&lt;br /&gt;Zemlya (1930, Aleksandr Dovzhenko)&lt;br /&gt;L'Âge d'or (1930, Luis Buñuel)&lt;br /&gt;The blood of a poet (1930, Jean Cocteau)&lt;br /&gt;The Blue Angel (1930, Josef von Sternberg)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1931&lt;/strong&gt;&lt;br /&gt;Tabu (1931, F.W. Murnau)&lt;br /&gt;Little Caesar (1931, Mervyn LeRoy)&lt;br /&gt;Dr. Jekyll and Mr. Hyde (1931, Rouben Mamoulian)&lt;br /&gt;M (1931, Fritz Lang)&lt;br /&gt;Frankenstein (1931, James Whale)&lt;br /&gt;City Lights (1931, Charles Chaplin)&lt;br /&gt;Liberty for Us (1931, René Clair)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1932&lt;/strong&gt;&lt;br /&gt;I Was Born, But... (1932, Yasujiro Ozu)&lt;br /&gt;Boudu Saved from Drowning (1932, Jean Renoir)&lt;br /&gt;I Am a Fugitive from a Chain Gang (1932, Mervyn LeRoy)&lt;br /&gt;Love Me Tonight (1932, Rouben Mamoulian)&lt;br /&gt;Movie Crazy (1932, Clyde Bruckman)&lt;br /&gt;Scarface (1932, Howard Hawks)&lt;br /&gt;Shanghai Express (1932, Josef von Sternberg)&lt;br /&gt;Freaks (1932, Tod Browning)&lt;br /&gt;The Vampire (1932, Carl Theodor Dreyer)&lt;br /&gt;The Most Dangerous Game (1932, Irving Pichel &amp; Ernest B. Schoedsack)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1933&lt;/strong&gt;&lt;br /&gt;King Kong (1933, Merian C. Cooper &amp; Ernest B. Schoedsack)&lt;br /&gt;The Invisible Man (1933, James Whale)&lt;br /&gt;Baby Face (1933, Alfred E. Green)&lt;br /&gt;The Testament of Dr. Mabuse (1933, Fritz Lang)&lt;br /&gt;Queen Christina (1933, Rouben Mamoulian)&lt;br /&gt;Zero for Conduct (1933, Jean Vigo)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1934&lt;/strong&gt;&lt;br /&gt;It Happened One Night (1934, Frank Capra)&lt;br /&gt;The Cat's-Paw (1934, Sam Taylor)&lt;br /&gt;L'Atalante (1934, Jean Vigo)&lt;br /&gt;The Thin Man (1934, W.S. Van Dyke)&lt;br /&gt;A Story of Floating Weeds (1934, Yasujiro Ozu)&lt;br /&gt;The Scarlet Empress (1934, Josef von Sternberg)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1935&lt;/strong&gt;&lt;br /&gt;Mutiny on the Bounty (1935, Frank Lloyd)&lt;br /&gt;A Tale of Two Cities (1935, Jack Conway)&lt;br /&gt;Bride of Frankenstein (1935, James Whale)&lt;br /&gt;Triumph of the Will (1935, Leni Riefenstahl)&lt;br /&gt;David Copperfield (1935, George Cukor)&lt;br /&gt;Top Hat (1935, Mark Sandrich)&lt;br /&gt;A Night at the Opera (1935, Sam Wood)&lt;br /&gt;The 39 Steps (1935, Alfred Hitchcock)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1936&lt;/strong&gt;&lt;br /&gt;Modern Times (1936, Charles Chaplin)&lt;br /&gt;The Only Son (1936, Yasujiro Ozu)&lt;br /&gt;Swing Time (1936, George Stevens)&lt;br /&gt;The Lower Depths (1936, Jean Renoir)&lt;br /&gt;My Man Godfrey (1936, Gregory La Cava)&lt;br /&gt;Mr. Deeds Goes to Town (1936, Frank Capra)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1937&lt;/strong&gt;&lt;br /&gt;Shall We Dance (1937, Mark Sandrich)&lt;br /&gt;The Grand Illusion (1937, Jean Renoir)&lt;br /&gt;Snow White and the Seven Dwarfs (1937, David Hand)&lt;br /&gt;The Life of Emile Zola (1937, William Dieterle)&lt;br /&gt;The Awful Truth (1937, Leo McCarey)&lt;br /&gt;Pépé le Moko (1937, Julien Duvivier)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1938&lt;/strong&gt;&lt;br /&gt;La Marseillaise (1938, Jean Renoir)&lt;br /&gt;Aleksandr Nevskiy (1938, Sergei M. Eisenstein)&lt;br /&gt;You Can't Take It with You (1938, Frank Capra)&lt;br /&gt;The Lady Vanishes (1938, Alfred Hitchcock)&lt;br /&gt;Bringing Up Baby (1938, Howard Hawks)&lt;br /&gt;The Human Beast (1938, Jean Renoir)&lt;br /&gt;Pygmalion (1938, Anthony Asquith &amp; Leslie Howard)&lt;br /&gt;Olympia, Parts 1 and 2 (1938, Leni Riefenstahl)&lt;br /&gt;The Adventures of Robin Hood (1938, Michael Curtiz &amp;amp; William Keighley)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1939&lt;/strong&gt;&lt;br /&gt;The Four Feathers (1939, Zoltan Korda)&lt;br /&gt;Mr. Smith Goes to Washington (1939, Frank Capra)&lt;br /&gt;Gone with the Wind (1939, Victor Fleming)&lt;br /&gt;Wuthering Heights (1939, William Wyler)&lt;br /&gt;The Rules of the Game (1939, Jean Renoir)&lt;br /&gt;Only Angels Have Wings (1939, Howard Hawks)&lt;br /&gt;The Hound of the Baskervilles (1939, Sidney Lanfield)&lt;br /&gt;The Wizard of Oz (1939, Victor Fleming)&lt;br /&gt;Stagecoach (1939, John Ford)&lt;br /&gt;Ninotchka (1939, Ernst Lubitsch)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1940&lt;/strong&gt;&lt;br /&gt;The Grapes of Wrath (1940, John Ford)&lt;br /&gt;Pinocchio (1940, Hamilton Luske)&lt;br /&gt;Rebecca (1940, Alfred Hitchcock)&lt;br /&gt;The Great Dictator (1940, Charles Chaplin)&lt;br /&gt;His Girl Friday (1940, Howard Hawks)&lt;br /&gt;Fantasia (1940, James Algar)&lt;br /&gt;The Bank Dick (1940, Edward F. Cline)&lt;br /&gt;The Thief of Bagdad (1940, Michael Powell)&lt;br /&gt;Pride and Prejudice (1940, Robert Z. Leonard)&lt;br /&gt;Foreign Correspondent (1940, Alfred Hitchcock)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Broadway Melody of 1940 (1940, Norman Taurog)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1941&lt;/strong&gt;&lt;br /&gt;Citizen Kane (1941, Orson Welles)&lt;br /&gt;The Lady Eve (1941, Preston Sturges)&lt;br /&gt;49th Parallel (1941, Michael Powell)&lt;br /&gt;How Green Was My Valley (1941, John Ford)&lt;br /&gt;Sergeant York (1941, Howard Hawks)&lt;br /&gt;The Maltese Falcon (1941, John Huston)&lt;br /&gt;Suspicion (1941, Alfred Hitchcock)&lt;br /&gt;Ball of Fire (1941, Howard Hawks)&lt;br /&gt;Sullivan's Travels (1941, Preston Sturges)&lt;br /&gt;The Brothers and Sisters of the Toda Family (1941, Yasujiro Ozu)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1942&lt;/strong&gt;&lt;br /&gt;Yankee Doodle Dandy (1942, Michael Curtiz)&lt;br /&gt;The Magnificent Ambersons (1942, Orson Welles)&lt;br /&gt;Mrs. Miniver (1942, William Wyler)&lt;br /&gt;To Be or Not to Be (1942, Ernst Lubitsch)&lt;br /&gt;Casablanca (1942, Michael Curtiz)&lt;br /&gt;Woman of the Year (1942, George Stevens)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1943&lt;/strong&gt;&lt;br /&gt;The Life and Death of Colonel Blimp (1943, Michael Powell)&lt;br /&gt;Heaven Can Wait (1943, Ernst Lubitsch)&lt;br /&gt;Day of wrath (1943, Carl Theodor Dreyer)&lt;br /&gt;Shadow of a Doubt (1943, Alfred Hitchcock)&lt;br /&gt;Ossessione (1943, Luchino Visconti)&lt;br /&gt;Angels of the Streets (1943, Robert Bresson)&lt;br /&gt;The Ox-Bow Incident (1943, William A. Wellman)&lt;br /&gt;The Seventh Victim (1943, Mark Robson)&lt;br /&gt;Le Corbeau (1943, Henri-Georges Clouzot)&lt;br /&gt;Sugata Sanshiro (1943, Akira Kurosawa)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1944&lt;/strong&gt;&lt;br /&gt;Double Indemnity (1944, Billy Wilder)&lt;br /&gt;Laura (1944, Otto Preminger)&lt;br /&gt;Jane Eyre (1944, Robert Stevenson)&lt;br /&gt;The Children Are Watching Us (1944, Vittorio De Sica)&lt;br /&gt;Lifeboat (1944, Alfred Hitchcock)&lt;br /&gt;Ivan the Terrible, Part One (1944, Sergei M. Eisenstein)&lt;br /&gt;A Canterbury Tale (1944, Michael Powell &amp; Emeric Pressburger)&lt;br /&gt;Henry the Fifth (1944, Laurence Olivier)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1945&lt;/strong&gt;&lt;br /&gt;Brief Encounter (1945, David Lean)&lt;br /&gt;Children of Paradise (1945, Marcel Carné)&lt;br /&gt;A Tree Grows in Brooklyn (1945, Elia Kazan)&lt;br /&gt;'I Know Where I'm Going!' (1945, Michael Powell &amp; Emeric Pressburger)&lt;br /&gt;Dead of Night (1945, Alberto Cavalcanti, Charles Crichton, Basil Dearden &amp;amp; Robert Hamer)&lt;br /&gt;Mildred Pierce (1945, Michael Curtiz)&lt;br /&gt;The Lost Weekend (1945, Billy Wilder)&lt;br /&gt;Rome, Open City (1945, Roberto Rossellini)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1946&lt;/strong&gt;&lt;br /&gt;Notorious (1946, Alfred Hitchcock)&lt;br /&gt;La Belle et la bête (1946, Jean Cocteau)&lt;br /&gt;The Big Sleep (1946, Howard Hawks)&lt;br /&gt;Shoe-Shine (1946, Vittorio De Sica)&lt;br /&gt;My Darling Clementine (1946, John Ford)&lt;br /&gt;It's a Wonderful Life (1946, Frank Capra)&lt;br /&gt;The Killers (1946, Robert Siodmak)&lt;br /&gt;The Postman Always Rings Twice (1946, Tay Garnett)&lt;br /&gt;The Best Years of Our Lives (1946, William Wyler)&lt;br /&gt;A Matter of Life and Death (1946, Michael Powell &amp; Emeric Pressburger)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;The Stranger (1946, Orson Welles)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1947&lt;/strong&gt;&lt;br /&gt;The Lady from Shanghai (1947, Orson Welles)&lt;br /&gt;Out of the Past (1947, Jacques Tourneur)&lt;br /&gt;Black Narcissus (1947, Michael Powell &amp;amp; Emeric Pressburger)&lt;br /&gt;The Ghost and Mrs. Muir (1947, Joseph L. Mankiewicz)&lt;br /&gt;Nightmare Alley (1947, Edmund Goulding)&lt;br /&gt;Quai des Orfèvres (1947, Henri-Georges Clouzot)&lt;br /&gt;Miracle on 34th Street (1947, George Seaton)&lt;br /&gt;Gentleman's Agreement (1947, Elia Kazan)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1948&lt;/strong&gt;&lt;br /&gt;Spring in a Small Town (1948, Fei Mu)&lt;br /&gt;The Bicycle Thief (1948, Vittorio De Sica)&lt;br /&gt;The Treasure of the Sierra Madre (1948, John Huston)&lt;br /&gt;Rope (1948, Alfred Hitchcock)&lt;br /&gt;Hamlet (1948, Laurence Olivier)&lt;br /&gt;Easter Parade (1948, Charles Walters)&lt;br /&gt;Letter from an Unknown Woman (1948, Max Ophüls)&lt;br /&gt;Germany Year Zero (1948, Roberto Rossellini)&lt;br /&gt;Oliver Twist (1948, David Lean)&lt;br /&gt;Red River (1948, Howard Hawks)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Macbeth (1948, Orson Welles)&lt;br /&gt;The Naked City (1948, Jules Dassin)&lt;br /&gt;The Red Shoes (1948, Michael Powell &amp; Emeric Pressburger)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1949&lt;/strong&gt;&lt;br /&gt;Kind Hearts and Coronets (1949, Robert Hamer)&lt;br /&gt;Late Spring (1949, Yasujiro Ozu)&lt;br /&gt;The Third Man (1949, Carol Reed)&lt;br /&gt;Le Silence de La Mer (1949, Jean-Pierre Melville)&lt;br /&gt;The Heiress (1949, William Wyler)&lt;br /&gt;Thieves' Highway (1949, Jules Dassin)&lt;br /&gt;Madame Bovary (1949, Vincente Minnelli)&lt;br /&gt;Stray Dog (1949, Akira Kurosawa)&lt;br /&gt;The Set-Up (1949, Robert Wise)&lt;br /&gt;All the King's Men (1949, Robert Rossen)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;White Heat (1949, Raoul Walsh)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1950&lt;/strong&gt;&lt;br /&gt;The Asphalt Jungle (1950, John Huston)&lt;br /&gt;All About Eve (1950, Joseph L. Mankiewicz)&lt;br /&gt;Rashômon (1950, Akira Kurosawa)&lt;br /&gt;Los Olvidados (1950, Luis Buñuel)&lt;br /&gt;Sunset Blvd. (1950, Billy Wilder)&lt;br /&gt;Night and the City (1950, Jules Dassin)&lt;br /&gt;Orphée (1950, Jean Cocteau)&lt;br /&gt;Story of a Love Affair (1950, Michelangelo Antonioni)&lt;br /&gt;In a Lonely Place (1950, Nicholas Ray)&lt;br /&gt;The Flowers of St. Francis (1950, Roberto Rossellini)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Harvey (1950, Henry Koster)&lt;br /&gt;Les enfants terribles (1950, Jean-Pierre Melville)&lt;br /&gt;Variety Lights (1950, Federico Fellini &amp; Alberto Lattuada)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1951&lt;/strong&gt;&lt;br /&gt;The Day the Earth Stood Still (1951, Robert Wise)&lt;br /&gt;Diary of a Country Priest (1951, Robert Bresson)&lt;br /&gt;A Place in the Sun (1951, George Stevens)&lt;br /&gt;The Browning Version (1951, Anthony Asquith)&lt;br /&gt;The River (1951, Jean Renoir)&lt;br /&gt;Strangers on a Train (1951, Alfred Hitchcock)&lt;br /&gt;Miracle in Milan (1951, Vittorio De Sica)&lt;br /&gt;Summer Interlude (1951, Ingmar Bergman)&lt;br /&gt;The Tales of Hoffmann (1951, Michael Powell &amp; Emeric Pressburger)&lt;br /&gt;Ace in the Hole (1951, Billy Wilder)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Scrooge (1951, Brian Desmond Hurst)&lt;br /&gt;Bellissima (1951, Luchino Visconti)&lt;br /&gt;A Streetcar Named Desire (1951, Elia Kazan)&lt;br /&gt;An American in Paris (1951, Vincente Minnelli)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1952&lt;/strong&gt;&lt;br /&gt;Umberto D. (1952, Vittorio De Sica)&lt;br /&gt;Singin' in the Rain (1952, Stanley Donen &amp; Gene Kelly)&lt;br /&gt;The Tragedy of Othello: The Moor of Venice (1952, Orson Welles)&lt;br /&gt;Limelight (1952, Charles Chaplin)&lt;br /&gt;The Life of Oharu (1952, Kenji Mizoguchi)&lt;br /&gt;The Importance of Being Earnest (1952, Anthony Asquith)&lt;br /&gt;High Noon (1952, Fred Zinnemann)&lt;br /&gt;Forbidden Games (1952, René Clément)&lt;br /&gt;Ikiru (1952, Akira Kurosawa)&lt;br /&gt;Le Plaisir (1952, Max Ophüls)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;The Quiet Man (1952, John Ford)&lt;br /&gt;On Dangerous Ground (1952, Nicholas Ray)&lt;br /&gt;The Narrow Margin (1952, Richard Fleischer)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1953&lt;/strong&gt;&lt;br /&gt;The Wages of Fear (1953, Henri-Georges Clouzot)&lt;br /&gt;Stalag 17 (1953, Billy Wilder)&lt;br /&gt;Tales of Ugetsu (1953, Kenji Mizoguchi)&lt;br /&gt;I Vitelloni (1953, Federico Fellini)&lt;br /&gt;Crin blanc: Le cheval sauvage (1953, Albert Lamorisse)&lt;br /&gt;Mr. Hulot's Holiday (1953, Jacques Tati)&lt;br /&gt;Madame de... (1953, Max Ophüls)&lt;br /&gt;Tokyo Story (1953, Yasujiro Ozu)&lt;br /&gt;The Golden Coach (1953, Jean Renoir)&lt;br /&gt;Roman Holiday (1953, William Wyler)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Shane (1953, George Stevens)&lt;br /&gt;I Confess (1953, Alfred Hitchcock)&lt;br /&gt;From Here to Eternity (1953, Fred Zinnemann)&lt;br /&gt;Gentlemen Prefer Blondes (1953, Howard Hawks)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1954&lt;/strong&gt;&lt;br /&gt;Legend of Bailiff Sansho (1954, Kenji Mizoguchi)&lt;br /&gt;The Caine Mutiny (1954, Edward Dmytryk)&lt;br /&gt;Seven Samurai (1954, Akira Kurosawa)&lt;br /&gt;Rear Window (1954, Alfred Hitchcock)&lt;br /&gt;Illusion Travels by Streetcar (1954, Luis Buñuel)&lt;br /&gt;On the Waterfront (1954, Elia Kazan)&lt;br /&gt;La Strada (1954, Federico Fellini)&lt;br /&gt;A Star Is Born (1954, George Cukor)&lt;br /&gt;Senso (1954, Luchino Visconti)&lt;br /&gt;Hobson's Choice (1954, David Lean)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Twenty-Four Eyes (1954, Keisuke Kinoshita)&lt;br /&gt;20000 Leagues Under the Sea (1954, Richard Fleischer)&lt;br /&gt;Seven Brides for Seven Brothers (1954, Stanley Donen)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1955&lt;/strong&gt;&lt;br /&gt;Les Diaboliques (1955, Henri-Georges Clouzot)&lt;br /&gt;Song of the Road (1955, Satyajit Ray)&lt;br /&gt;Du rififi chez les hommes (1955, Jules Dassin)&lt;br /&gt;Le Amiche (1955, Michelangelo Antonioni)&lt;br /&gt;Ordet (1955, Carl Theodor Dreyer)&lt;br /&gt;East of Eden (1955, Elia Kazan)&lt;br /&gt;Night and Fog (1955, Alain Resnais)&lt;br /&gt;The Swindle (1955, Federico Fellini)&lt;br /&gt;All That Heaven Allows (1955, Douglas Sirk)&lt;br /&gt;The Night of the Hunter (1955, Charles Laughton)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Dreams (1955, Ingmar Bergman)&lt;br /&gt;Oklahoma! (1955, Fred Zinnemann)&lt;br /&gt;Bad Day at Black Rock (1955, John Sturges)&lt;br /&gt;Bob le flambeur (1955, Jean-Pierre Melville)&lt;br /&gt;Death of a Cyclist (1955, Juan Antonio Bardem)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1956&lt;/strong&gt;&lt;br /&gt;The Killing (1956, Stanley Kubrick)&lt;br /&gt;The Unvanquished (1956, Satyajit Ray)&lt;br /&gt;A Man Escaped (1956, Robert Bresson)&lt;br /&gt;Invasion of the Body Snatchers (1956, Don Siegel)&lt;br /&gt;The Searchers (1956, John Ford)&lt;br /&gt;Le ballon rouge (1956, Albert Lamorisse)&lt;br /&gt;The Ten Commandments (1956, Cecil B. DeMille)&lt;br /&gt;Written on the Wind (1956, Douglas Sirk)&lt;br /&gt;The Man Who Knew Too Much (1956, Alfred Hitchcock)&lt;br /&gt;Harp of Burma (1956, Kon Ichikawa)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Giant (1956, George Stevens)&lt;br /&gt;The King and I (1956, Walter Lang)&lt;br /&gt;The Wrong Man (1956, Alfred Hitchcock)&lt;br /&gt;The Mystery of Picasso (1956, Henri-Georges Clouzot)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1957&lt;/strong&gt;&lt;br /&gt;Wild Strawberries (1957, Ingmar Bergman)&lt;br /&gt;Throne of Blood (1957, Akira Kurosawa)&lt;br /&gt;The Bridge on the River Kwai (1957, David Lean)&lt;br /&gt;White Nights (1957, Luchino Visconti)&lt;br /&gt;12 Angry Men (1957, Sidney Lumet)&lt;br /&gt;Paths of Glory (1957, Stanley Kubrick)&lt;br /&gt;Witness for the Prosecution (1957, Billy Wilder)&lt;br /&gt;A Face in the Crowd (1957, Elia Kazan)&lt;br /&gt;Kanal (1957, Andrzej Wajda)&lt;br /&gt;Sweet Smell of Success (1957, Alexander Mackendrick)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Funny Face (1957, Stanley Donen)&lt;br /&gt;The Seventh Seal (1957, Ingmar Bergman)&lt;br /&gt;Nights of Cabiria (1957, Federico Fellini)&lt;br /&gt;The Cranes Are Flying (1957, Mikheil Kalatozishvili)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1958&lt;/strong&gt;&lt;br /&gt;Elevator to the Gallows (1958, Louis Malle)&lt;br /&gt;The Music Room (1958, Satyajit Ray)&lt;br /&gt;Ballad of Narayama (1958, Keisuke Kinoshita)&lt;br /&gt;Touch of Evil (1958, Orson Welles)&lt;br /&gt;The Hidden Fortress (1958, Akira Kurosawa)&lt;br /&gt;Vertigo (1958, Alfred Hitchcock)&lt;br /&gt;Cat on a Hot Tin Roof (1958, Richard Brooks)&lt;br /&gt;A Night to Remember (1958, Roy Ward Baker)&lt;br /&gt;Big Deal on Madonna Street (1958, Mario Monicelli)&lt;br /&gt;Ivan the Terrible, Part II: The Boyars' Plot (1958, Sergei M. Eisenstein)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Mon oncle (1958, Jacques Tati)&lt;br /&gt;The Magician (1958, Ingmar Bergman)&lt;br /&gt;Giants and Toys (1958, Yasuzo Masumura)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1959&lt;/strong&gt;&lt;br /&gt;The World of Apu (1959, Satyajit Ray)&lt;br /&gt;The 400 Blows (1959, François Truffaut)&lt;br /&gt;Pickpocket (1959, Robert Bresson)&lt;br /&gt;Nazarín (1959, Luis Buñuel)&lt;br /&gt;Fires on the Plain (1959, Kon Ichikawa)&lt;br /&gt;The Nun's Story (1959, Fred Zinnemann)&lt;br /&gt;Hiroshima mon amour (1959, Alain Resnais)&lt;br /&gt;Anatomy of a Murder (1959, Otto Preminger)&lt;br /&gt;Ben-Hur (1959, William Wyler)&lt;br /&gt;North by Northwest (1959, Alfred Hitchcock)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Rio Bravo (1959, Howard Hawks)&lt;br /&gt;Black Orpheus (1959, Marcel Camus)&lt;br /&gt;Ride Lonesome (1959, Budd Boetticher)&lt;br /&gt;Ballad of a Soldier (1959, Grigori Chukhrai)&lt;br /&gt;Suddenly, Last Summer (1959, Joseph L. Mankiewicz)&lt;br /&gt;The Human Condition II The Road to Eternity (1959, Masaki Kobayashi)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1960&lt;/strong&gt;&lt;br /&gt;Orpheus (1960, Jean Cocteau)&lt;br /&gt;Le trou (1960, Jacques Becker)&lt;br /&gt;La dolce vita (1960, Federico Fellini)&lt;br /&gt;Spartacus (1960, Stanley Kubrick)&lt;br /&gt;L'Avventura (1960, Michelangelo Antonioni)&lt;br /&gt;Eyes Without a Face (1960, Georges Franju)&lt;br /&gt;Inherit the Wind (1960, Stanley Kramer)&lt;br /&gt;Two Women (1960, Vittorio De Sica)&lt;br /&gt;Psycho (1960, Alfred Hitchcock)&lt;br /&gt;The Virgin Spring (1960, Ingmar Bergman)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Breathless (1960, Jean-Luc Godard)&lt;br /&gt;Peeping Tom (1960, Michael Powell)&lt;br /&gt;The Apartment (1960, Billy Wilder)&lt;br /&gt;Les Bonnes Femmes (1960, Claude Chabrol)&lt;br /&gt;The Bad Sleep Well (1960, Akira Kurosawa)&lt;br /&gt;Rocco and His Brothers (1960, Luchino Visconti)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1961&lt;/strong&gt;&lt;br /&gt;Viridiana (1961, Luis Buñuel)&lt;br /&gt;Blast of Silence (1961, Allen Baron)&lt;br /&gt;Cleo from 5 to 7 (1961, Agnès Varda)&lt;br /&gt;La Notte (1961, Michelangelo Antonioni)&lt;br /&gt;Breakfast at Tiffany's (1961, Blake Edwards)&lt;br /&gt;Divorce - Italian Style (1961, Pietro Germi)&lt;br /&gt;Last Year at Marienbad (1961, Alain Resnais)&lt;br /&gt;A Woman Is a Woman (1961, Jean-Luc Godard)&lt;br /&gt;Judgment at Nuremberg (1961, Stanley Kramer)&lt;br /&gt;The Human Condition III A Soldier's Prayer (1961, Masaki Kobayashi)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;The Hustler (1961, Robert Rossen)&lt;br /&gt;The Innocents (1961, Jack Clayton)&lt;br /&gt;The Guns of Navarone (1961, J. Lee Thompson)&lt;br /&gt;Through a Glass Darkly (1961, Ingmar Bergman)&lt;br /&gt;A Lustful Man (1961, Yasuzo Masumura)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1962&lt;/strong&gt;&lt;br /&gt;Pitfall (1962, Hiroshi Teshigahara)&lt;br /&gt;The Exterminating Angel (1962, Luis Buñuel)&lt;br /&gt;Lolita (1962, Stanley Kubrick)&lt;br /&gt;L'Eclisse (1962, Michelangelo Antonioni)&lt;br /&gt;The Manchurian Candidate (1962, John Frankenheimer)&lt;br /&gt;The Trial (1962, Orson Welles)&lt;br /&gt;Harakiri (1962, Masaki Kobayashi)&lt;br /&gt;Lawrence of Arabia (1962, David Lean)&lt;br /&gt;The Longest Day (1962, Ken Annakin, Andrew Marton &amp;amp; Bernhard Wicki)&lt;br /&gt;The Loneliness of the Long Distance Runner (1962, Tony Richardson)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;La Jetée (1962, Chris Marker)&lt;br /&gt;Love at Twenty (1962, François Truffaut)&lt;br /&gt;Advise &amp; Consent (1962, Otto Preminger)&lt;br /&gt;My Life to Live (1962, Jean-Luc Godard)&lt;br /&gt;Sundays and Cybele (1962, Serge Bourguignon)&lt;br /&gt;To Kill a Mockingbird (1962, Robert Mulligan)&lt;br /&gt;The Man Who Shot Liberty Valance (1962, John Ford)&lt;br /&gt;An Occurrence at Owl Creek Bridge (1962, Robert Enrico)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1963&lt;/strong&gt;&lt;br /&gt;The Great Escape (1963, John Sturges)&lt;br /&gt;Charade (1963, Stanley Donen)&lt;br /&gt;8½ (1963, Federico Fellini)&lt;br /&gt;The Carabineers (1963, Jean-Luc Godard)&lt;br /&gt;This Sporting Life (1963, Lindsay Anderson)&lt;br /&gt;High and Low (1963, Akira Kurosawa)&lt;br /&gt;The Birds (1963, Alfred Hitchcock)&lt;br /&gt;Hud (1963, Martin Ritt)&lt;br /&gt;The Leopard (1963, Luchino Visconti)&lt;br /&gt;An Actor's Revenge (1963, Kon Ichikawa)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Contempt (1963, Jean-Luc Godard)&lt;br /&gt;Tom Jones (1963, Tony Richardson)&lt;br /&gt;The Silence (1963, Ingmar Bergman)&lt;br /&gt;Lord of the Flies (1963, Peter Brook)&lt;br /&gt;Muriel, or the Time of Return (1963, Alain Resnais)&lt;br /&gt;Yesterday, Today and Tomorrow (1963, Vittorio De Sica)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1964&lt;/strong&gt;&lt;br /&gt;Soy Cuba/Ya Kuba (1964, Mikheil Kalatozishvili)&lt;br /&gt;My Fair Lady (1964, George Cukor)&lt;br /&gt;Woman in the Dunes (1964, Hiroshi Teshigahara)&lt;br /&gt;Gertrud (1964, Carl Theodor Dreyer)&lt;br /&gt;Onibaba (1964, Kaneto Shindô)&lt;br /&gt;Charulata (1964, Satyajit Ray)&lt;br /&gt;Dr. Strangelove (1964, Stanley Kubrick)&lt;br /&gt;Band of Outsiders (1964, Jean-Luc Godard)&lt;br /&gt;The Umbrellas of Cherbourg (1964, Jacques Demy)&lt;br /&gt;The Red Desert (1964, Michelangelo Antonioni)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Zulu (1964, Cy Endfield)&lt;br /&gt;Manji (1964, Yasuzo Masumura)&lt;br /&gt;Fail-Safe (1964, Sidney Lumet)&lt;br /&gt;Seven Days in May (1964, John Frankenheimer)&lt;br /&gt;Before the Revolution (1964, Bernardo Bertolucci)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1965&lt;/strong&gt;&lt;br /&gt;The Shop on Main Street (1965, Ján Kadár &amp; Elmar Klos)&lt;br /&gt;For a Few Dollars More (1965, Sergio Leone)&lt;br /&gt;Chimes at Midnight (1965, Orson Welles)&lt;br /&gt;Pierrot le fou (1965, Jean-Luc Godard)&lt;br /&gt;Repulsion (1965, Roman Polanski)&lt;br /&gt;Simon of the Desert (1965, Luis Buñuel)&lt;br /&gt;Doctor Zhivago (1965, David Lean)&lt;br /&gt;Seisaku's Wife (1965, Yasuzo Masumura)&lt;br /&gt;The Sound of Music (1965, Robert Wise)&lt;br /&gt;Juliet of the Spirits (1965, Federico Fellini)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Le Bonheur (1965, Agnès Varda)&lt;br /&gt;Tokyo Olympiad (1965, Kon Ichikawa)&lt;br /&gt;Red Beard (1965, Akira Kurosawa)&lt;br /&gt;The Loves of a Blonde (1965, Milos Forman)&lt;br /&gt;Faster, Pussycat! Kill! Kill! (1965, Russ Meyer)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1966&lt;/strong&gt;&lt;br /&gt;Paddle to the Sea (1966, Bill Mason)&lt;br /&gt;The Good, the Bad and the Ugly (1966, Sergio Leone)&lt;br /&gt;The Round-Up (1966, Miklós Jancsó)&lt;br /&gt;Akai tenshi (1966, Yasuzo Masumura)&lt;br /&gt;The Battle of Algiers (1966, Gillo Pontecorvo)&lt;br /&gt;Persona (1966, Ingmar Bergman)&lt;br /&gt;Closely Watched Trains (1966, Jirí Menzel)&lt;br /&gt;The Face of Another (1966, Hiroshi Teshigahara)&lt;br /&gt;Blowup (1966, Michelangelo Antonioni)&lt;br /&gt;Au hasard Balthazar (1966, Robert Bresson)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Cul-de-sac (1966, Roman Polanski)&lt;br /&gt;Young Torless (1966, Volker Schlöndorff)&lt;br /&gt;The Pornographers (1966, Shohei Imamura)&lt;br /&gt;The War Is Over (1966, Alain Resnais)&lt;br /&gt;A Man for All Seasons (1966, Fred Zinnemann)&lt;br /&gt;Who's Afraid of Virginia Woolf? (1966, Mike Nichols)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1967&lt;/strong&gt;&lt;br /&gt;Belle de jour (1967, Luis Buñuel)&lt;br /&gt;Bonnie and Clyde (1967, Arthur Penn)&lt;br /&gt;Week End (1967, Jean-Luc Godard)&lt;br /&gt;The Graduate (1967, Mike Nichols)&lt;br /&gt;Mouchette (1967, Robert Bresson)&lt;br /&gt;The Red and the White (1967, Miklós Jancsó)&lt;br /&gt;The Young Girls of Rochefort (1967, Jacques Demy &amp; Agnès Varda)&lt;br /&gt;Japan's Longest Day (1967, Kihachi Okamoto)&lt;br /&gt;I Am Curious (Yellow) (1967, Vilgot Sjöman)&lt;br /&gt;In Cold Blood (1967, Richard Brooks)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Play Time (1967, Jacques Tati)&lt;br /&gt;Dont Look Back (1967, D.A. Pennebaker)&lt;br /&gt;Cool Hand Luke (1967, Stuart Rosenberg)&lt;br /&gt;The Dirty Dozen (1967, Robert Aldrich)&lt;br /&gt;Le Samouraï (1967, Jean-Pierre Melville)&lt;br /&gt;The Firemen's Ball (1967, Milos Forman)&lt;br /&gt;La Collectionneuse (1967, Eric Rohmer)&lt;br /&gt;Guess Who's Coming to Dinner (1967, Stanley Kramer)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1968&lt;/strong&gt;&lt;br /&gt;2001: A Space Odyssey (1968, Stanley Kubrick)&lt;br /&gt;War and Peace (1968, Sergei Bondarchuk)&lt;br /&gt;The Cremator (1968, Juraj Herz)&lt;br /&gt;Teorema (1968, Pier Paolo Pasolini)&lt;br /&gt;In the Year of the Pig (1968, Emile de Antonio)&lt;br /&gt;Shame (1968, Ingmar Bergman)&lt;br /&gt;Oliver! (1968, Carol Reed)&lt;br /&gt;Lucía (1968, Humberto Solás)&lt;br /&gt;Romeo and Juliet (1968, Franco Zeffirelli)&lt;br /&gt;Once Upon a Time in the West (1968, Sergio Leone)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;If.... (1968, Lindsay Anderson)&lt;br /&gt;The Producers (1968, Mel Brooks)&lt;br /&gt;Monterey Pop (1968, D.A. Pennebaker)&lt;br /&gt;Stolen Kisses (1968, François Truffaut)&lt;br /&gt;Night of the Living Dead (1968, George A. Romero)&lt;br /&gt;Memories of Underdevelopment (1968, Tomás Gutiérrez Alea)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1969&lt;/strong&gt;&lt;br /&gt;The Sorrow and the Pity (1969, Marcel Ophüls)&lt;br /&gt;Andrey Rublyov (1969, Andrei Tarkovsky)&lt;br /&gt;Z (1969, Costa-Gavras)&lt;br /&gt;Kes (1969, Ken Loach)&lt;br /&gt;A Touch of Zen (1969, King Hu)&lt;br /&gt;The Passion of Anna (1969, Ingmar Bergman)&lt;br /&gt;Army of Shadows (1969, Jean-Pierre Melville)&lt;br /&gt;The Prime of Miss Jean Brodie (1969, Ronald Neame)&lt;br /&gt;Easy Rider (1969, Dennis Hopper)&lt;br /&gt;The Milky Way (1969, Luis Buñuel)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Salesman (1969, Maysles Brothers)&lt;br /&gt;The Damned (1969, Luchino Visconti)&lt;br /&gt;Blind Beast (1969, Yasuzo Masumura)&lt;br /&gt;The Wild Bunch (1969, Sam Peckinpah)&lt;br /&gt;A Gentle Woman (1969, Robert Bresson)&lt;br /&gt;My Night at Maud's (1969, Eric Rohmer)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1970&lt;/strong&gt;&lt;br /&gt;Investigation of a Citizen Above Suspicion (1970, Elio Petri)&lt;br /&gt;Patton (1970, Franklin J. Schaffner)&lt;br /&gt;Zabriskie Point (1970, Michelangelo Antonioni)&lt;br /&gt;Woodstock, 3 Days of Peace &amp;amp; Music (1970, Michael Wadleigh)&lt;br /&gt;Ryan's Daughter (1970, David Lean)&lt;br /&gt;MASH (1970, Robert Altman)&lt;br /&gt;The Things of Life (1970, Claude Sautet)&lt;br /&gt;The Honeymoon Killers (1970, Leonard Kastle)&lt;br /&gt;Little Big Man (1970, Arthur Penn)&lt;br /&gt;Tora! Tora! Tora! (1970, Richard Fleischer, Kinji Fukasaku &amp; Toshio Masuda)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Love Story (1970, Arthur Hiller)&lt;br /&gt;Claire's Knee (1970, Eric Rohmer)&lt;br /&gt;Five Easy Pieces (1970, Bob Rafelson)&lt;br /&gt;Bed and Board (1970, François Truffaut)&lt;br /&gt;The Wild Child (1970, François Truffaut)&lt;br /&gt;The Garden of the Finzi-Continis (1970, Vittorio De Sica)&lt;br /&gt;Gimme Shelter (1970, Maysles Brothers &amp;amp; Charlotte Zwerin)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1971&lt;/strong&gt;&lt;br /&gt;A Clockwork Orange (1971, Stanley Kubrick)&lt;br /&gt;The Last Picture Show (1971, Peter Bogdanovich)&lt;br /&gt;The Decameron (1971, Pier Paolo Pasolini)&lt;br /&gt;Fiddler on the Roof (1971, Norman Jewison)&lt;br /&gt;Dirty Harry (1971, Don Siegel)&lt;br /&gt;Harold and Maude (1971, Hal Ashby)&lt;br /&gt;Punishment Park (1971, Peter Watkins)&lt;br /&gt;Death in Venice (1971, Luchino Visconti)&lt;br /&gt;Walkabout (1971, Nicolas Roeg)&lt;br /&gt;McCabe &amp; Mrs. Miller (1971, Robert Altman)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Melody (1971, Waris Hussein)&lt;br /&gt;Straw Dogs (1971, Sam Peckinpah)&lt;br /&gt;Johnny Got His Gun (1971, Dalton Trumbo)&lt;br /&gt;Vanishing Point (1971, Richard C. Sarafian)&lt;br /&gt;The French Connection (1971, William Friedkin)&lt;br /&gt;Four Nights of a Dreamer (1971, Robert Bresson)&lt;br /&gt;W.R.: Mysteries of the Organism (1971, Dusan Makavejev)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1972&lt;/strong&gt;&lt;br /&gt;Cries and Whispers (1972, Ingmar Bergman)&lt;br /&gt;Red Psalm (1972, Miklós Jancsó)&lt;br /&gt;Roma (1972, Federico Fellini)&lt;br /&gt;The Discreet Charm of the Bourgeoisie (1972, Luis Buñuel)&lt;br /&gt;Last Tango in Paris (1972, Bernardo Bertolucci)&lt;br /&gt;Aguirre: The Wrath of God (1972, Werner Herzog)&lt;br /&gt;The Dawns Here Are Quiet (1972, Stanislav Rostotsky)&lt;br /&gt;The Godfather (1972, Francis Ford Coppola)&lt;br /&gt;Ludwig (1972, Luchino Visconti)&lt;br /&gt;The Bitter Tears of Petra von Kant (1972, Rainer Werner Fassbinder)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Cabaret (1972, Bob Fosse)&lt;br /&gt;Sleuth (1972, Joseph L. Mankiewicz)&lt;br /&gt;Deliverance (1972, John Boorman)&lt;br /&gt;Solyaris (1972, Andrei Tarkovsky)&lt;br /&gt;Les Misérables (1972, Marcel Bluwal)&lt;br /&gt;The Ruling Class (1972, Peter Medak)&lt;br /&gt;What's Up, Doc? (1972, Peter Bogdanovich)&lt;br /&gt;Love in the Afternoon (1972, Eric Rohmer)&lt;br /&gt;The Merchant of Four Seasons (1972, Rainer Werner Fassbinder)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1973&lt;/strong&gt;&lt;br /&gt;The Day of the Jackal (1973, Fred Zinnemann)&lt;br /&gt;Day for Night (1973, François Truffaut)&lt;br /&gt;Papillon (1973, Franklin J. Schaffner)&lt;br /&gt;Amarcord (1973, Federico Fellini)&lt;br /&gt;The Sting (1973, George Roy Hill)&lt;br /&gt;F for Fake (1973, Orson Welles)&lt;br /&gt;Badlands (1973, Terrence Malick)&lt;br /&gt;The Wicker Man (1973, Robin Hardy)&lt;br /&gt;Scenes from a Marriage (1973, Ingmar Bergman)&lt;br /&gt;The Holy Mountain (1973, Alejandro Jodorowsky)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Don't Look Now (1973, Nicolas Roeg)&lt;br /&gt;The Long Goodbye (1973, Robert Altman)&lt;br /&gt;The Mother and the Whore (1973, Jean Eustache)&lt;br /&gt;The Spirit of the Beehive (1973, Víctor Erice)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1974&lt;/strong&gt;&lt;br /&gt;Lenny (1974, Bob Fosse)&lt;br /&gt;A Woman Under the Influence (1974, John Cassavetes)&lt;br /&gt;Swept Away... by an Unusual Destiny in the Blue Sea of August (1974, Lina Wertmüller)&lt;br /&gt;Celine and Julie Go Boating (1974, Jacques Rivette)&lt;br /&gt;The Godfather: Part II (1974, Francis Ford Coppola)&lt;br /&gt;Lacombe Lucien (1974, Louis Malle)&lt;br /&gt;Alice in the Cities (1974, Wim Wenders)&lt;br /&gt;The Phantom of Liberty (1974, Luis Buñuel)&lt;br /&gt;F for Fake (1974, Orson Welles)&lt;br /&gt;The Conversation (1974, Francis Ford Coppola)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Hearts and Minds (1974, Peter Davis)&lt;br /&gt;That's Entertainment! (1974, Jack Haley Jr.)&lt;br /&gt;General Idi Amin Dada (1974, Barbet Schroeder)&lt;br /&gt;The Texas Chain Saw Massacre (1974, Tobe Hooper)&lt;br /&gt;Ali: Fear Eats the Soul (1974, Rainer Werner Fassbinder)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1975&lt;/strong&gt;&lt;br /&gt;Barry Lyndon (1975, Stanley Kubrick)&lt;br /&gt;The Mirror (1975, Andrei Tarkovsky)&lt;br /&gt;Jaws (1975, Steven Spielberg)&lt;br /&gt;Overlord (1975, Stuart Cooper)&lt;br /&gt;The Magic Flute (1975, Ingmar Bergman)&lt;br /&gt;Seven Beauties (1975, Lina Wertmüller)&lt;br /&gt;Dersu Uzala (1975, Akira Kurosawa)&lt;br /&gt;Fox and His Friends (1975, Rainer Werner Fassbinder)&lt;br /&gt;One Flew Over the Cuckoo's Nest (1975, Milos Forman)&lt;br /&gt;Monty Python and the Holy Grail (1975, Terry Gilliam &amp; Terry Jones)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Nashville (1975, Robert Altman)&lt;br /&gt;The Wrong Move (1975, Wim Wenders)&lt;br /&gt;Dog Day Afternoon (1975, Sidney Lumet)&lt;br /&gt;Picnic at Hanging Rock (1975, Peter Weir)&lt;br /&gt;Professione: reporter (1975, Michelangelo Antonioni)&lt;br /&gt;The Lost Honor of Katharina Blum (1975, Volker Schlöndorff)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1976&lt;/strong&gt;&lt;br /&gt;1900 (1976, Bernardo Bertolucci)&lt;br /&gt;Network (1976, Sidney Lumet)&lt;br /&gt;Chinese Roulette (1976, Rainer Werner Fassbinder)&lt;br /&gt;The Omen (1976, Richard Donner)&lt;br /&gt;Harlan County U.S.A. (1976, Barbara Kopple)&lt;br /&gt;The Tenant (1976, Roman Polanski)&lt;br /&gt;Taxi Driver (1976, Martin Scorsese)&lt;br /&gt;Rocky (1976, John G. Avildsen)&lt;br /&gt;Kings of the Road (1976, Wim Wenders)&lt;br /&gt;The Message (1976, Moustapha Akkad)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Carrie (1976, Brian De Palma)&lt;br /&gt;The Scar (1976, Krzysztof Kieslowski)&lt;br /&gt;Small Change (1976, François Truffaut)&lt;br /&gt;The Outlaw Josey Wales (1976, Clint Eastwood)&lt;br /&gt;All the President's Men (1976, Alan J. Pakula)&lt;br /&gt;Black and White in Color (1976, Jean-Jacques Annaud)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1977&lt;/strong&gt;&lt;br /&gt;Man of Marble (1977, Andrzej Wajda)&lt;br /&gt;Annie Hall (1977, Woody Allen)&lt;br /&gt;3 Women (1977, Robert Altman)&lt;br /&gt;That Obscure Object of Desire (1977, Luis Buñuel)&lt;br /&gt;Jubilee (1977, Derek Jarman)&lt;br /&gt;Providence (1977, Alain Resnais)&lt;br /&gt;Soldier of Orange (1977, Paul Verhoeven)&lt;br /&gt;The American Friend (1977, Wim Wenders)&lt;br /&gt;Close Encounters of the Third Kind (1977, Steven Spielberg)&lt;br /&gt;Stroszek (1977, Werner Herzog)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Star Wars (1977, George Lucas)&lt;br /&gt;Eraserhead (1977, David Lynch)&lt;br /&gt;The Man Who Loved Women (1977, François Truffaut)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1978&lt;/strong&gt;&lt;br /&gt;Autumn Sonata (1978, Ingmar Bergman)&lt;br /&gt;Days of Heaven (1978, Terrence Malick)&lt;br /&gt;In a Year of 13 Moons (1978, Rainer Werner Fassbinder)&lt;br /&gt;The Tree of Wooden Clogs (1978, Ermanno Olmi)&lt;br /&gt;Animal House (1978, John Landis)&lt;br /&gt;Halloween (1978, John Carpenter)&lt;br /&gt;Get Out Your Handkerchiefs (1978, Bertrand Blier)&lt;br /&gt;Orchestra Rehearsal (1978, Federico Fellini)&lt;br /&gt;Midnight Express (1978, Alan Parker)&lt;br /&gt;The Deer Hunter (1978, Michael Cimino)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;The Last Waltz (1978, Martin Scorsese)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1979&lt;/strong&gt;&lt;br /&gt;Life of Brian (1979, Terry Jones)&lt;br /&gt;All That Jazz (1979, Bob Fosse)&lt;br /&gt;Manhattan (1979, Woody Allen)&lt;br /&gt;Being There (1979, Hal Ashby)&lt;br /&gt;Escape from Alcatraz (1979, Don Siegel)&lt;br /&gt;¡Que Viva Mexico! (1979, Sergei M. Eisenstein)&lt;br /&gt;Apocalypse Now (1979, Francis Ford Coppola)&lt;br /&gt;Love on the Run (1979, François Truffaut)&lt;br /&gt;Kramer vs. Kramer (1979, Robert Benton)&lt;br /&gt;The Marriage of Maria Braun (1979, Rainer Werner Fassbinder)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Stalker (1979, Andrei Tarkovsky)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1980&lt;/strong&gt;&lt;br /&gt;Raging Bull (1980, Martin Scorsese)&lt;br /&gt;My American Uncle (1980, Alain Resnais)&lt;br /&gt;The Blues Brothers (1980, John Landis)&lt;br /&gt;'Breaker' Morant (1980, Bruce Beresford)&lt;br /&gt;From the Life of the Marionettes (1980, Ingmar Bergman)&lt;br /&gt;The Elephant Man (1980, David Lynch)&lt;br /&gt;Ordinary People (1980, Robert Redford)&lt;br /&gt;Atlantic City (1980, Louis Malle)&lt;br /&gt;Shadow Warrior (1980, Akira Kurosawa)&lt;br /&gt;The Shining (1980, Stanley Kubrick)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;The Big Red One (1980, Samuel Fuller)&lt;br /&gt;Airplane! (1980, Jim Abrahams &amp; Zucker Brothers)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1981&lt;/strong&gt;&lt;br /&gt;Das Boot (1981, Wolfgang Petersen)&lt;br /&gt;Raiders of the Lost Ark (1981, Steven Spielberg)&lt;br /&gt;Lola (1981, Rainer Werner Fassbinder)&lt;br /&gt;An American Werewolf in London (1981, John Landis)&lt;br /&gt;On Golden Pond (1981, Mark Rydell)&lt;br /&gt;Why Not? (1981, Shohei Imamura)&lt;br /&gt;Mephisto (1981, István Szabó)&lt;br /&gt;Reds (1981, Warren Beatty)&lt;br /&gt;Man of Iron (1981, Andrzej Wajda)&lt;br /&gt;Mad Max 2 (1981, George Miller)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1982&lt;/strong&gt;&lt;br /&gt;Fitzcarraldo (1982, Werner Herzog)&lt;br /&gt;Gandhi (1982, Richard Attenborough)&lt;br /&gt;Yol (1982, Serif Gören)&lt;br /&gt;The Thing (1982, John Carpenter)&lt;br /&gt;Pink Floyd The Wall (1982, Alan Parker)&lt;br /&gt;The Verdict (1982, Sidney Lumet)&lt;br /&gt;Fanny and Alexander (1982, Ingmar Bergman)&lt;br /&gt;Koyaanisqatsi (1982, Godfrey Reggio)&lt;br /&gt;Veronika Voss (1982, Rainer Werner Fassbinder)&lt;br /&gt;The Marathon Family (1982, Slobodan Sijan)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Poltergeist (1982, Tobe Hooper)&lt;br /&gt;Fast Times at Ridgemont High (1982, Amy Heckerling)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1983&lt;/strong&gt;&lt;br /&gt;Scarface (1983, Brian De Palma)&lt;br /&gt;Zelig (1983, Woody Allen)&lt;br /&gt;The Right Stuff (1983, Philip Kaufman)&lt;br /&gt;L'Argent (1983, Robert Bresson)&lt;br /&gt;The 4th Man (1983, Paul Verhoeven)&lt;br /&gt;Nostalghia (1983, Andrei Tarkovsky)&lt;br /&gt;Crime and Punishment (1983, Aki Kaurismäki)&lt;br /&gt;The Dead Zone (1983, David Cronenberg)&lt;br /&gt;And the Ship Sails On (1983, Federico Fellini)&lt;br /&gt;Terms of Endearment (1983, James L. Brooks)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;A Christmas Story (1983, Bob Clark)&lt;br /&gt;Videodrome (1983, David Cronenberg)&lt;br /&gt;First Name: Carmen (1983, Jean-Luc Godard)&lt;br /&gt;The Meaning of Life (1983, Terry Jones &amp; Terry Gilliam)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1984&lt;/strong&gt;&lt;br /&gt;The Killing Fields (1984, Roland Joffé)&lt;br /&gt;This Is Spinal Tap (1984, Rob Reiner)&lt;br /&gt;Indiana Jones and the Temple of Doom (1984, Steven Spielberg)&lt;br /&gt;Amadeus (1984, Milos Forman)&lt;br /&gt;A Passage to India (1984, David Lean)&lt;br /&gt;Secret Honor (1984, Robert Altman)&lt;br /&gt;Blood Simple. (1984, Coen Brothers)&lt;br /&gt;Paris, Texas (1984, Wim Wenders)&lt;br /&gt;Once Upon a Time in America (1984, Sergio Leone)&lt;br /&gt;Voyage to Cythera (1984, Theodoros Angelopoulos)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Birdy (1984, Alan Parker)&lt;br /&gt;Boy Meets Girl (1984, Leos Carax)&lt;br /&gt;Antonio Gaudí (1984, Hiroshi Teshigahara)&lt;br /&gt;The Element of Crime (1984, Lars von Trier)&lt;br /&gt;Stranger Than Paradise (1984, Jim Jarmusch)&lt;br /&gt;The NeverEnding Story (1984, Wolfgang Petersen)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1985&lt;/strong&gt;&lt;br /&gt;Ran (1985, Akira Kurosawa)&lt;br /&gt;Come and see (1985, Elem Klimov)&lt;br /&gt;Death of a Salesman (1985, Volker Schlöndorff)&lt;br /&gt;The Official Story (1985, Luis Puenzo)&lt;br /&gt;Out of Africa (1985, Sydney Pollack)&lt;br /&gt;The Color Purple (1985, Steven Spielberg)&lt;br /&gt;No End (1985, Krzysztof Kieslowski)&lt;br /&gt;When Father Was Away on Business (1985, Emir Kusturica)&lt;br /&gt;Day of the Dead (1985, George A. Romero)&lt;br /&gt;Vagabond (1985, Agnès Varda)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1986&lt;/strong&gt;&lt;br /&gt;Castle in the Sky (1986, Hayao Miyazaki)&lt;br /&gt;The Fly (1986, David Cronenberg)&lt;br /&gt;Blue Velvet (1986, David Lynch)&lt;br /&gt;The Assault (1986, Fons Rademakers)&lt;br /&gt;Platoon (1986, Oliver Stone)&lt;br /&gt;The Green Ray (1986, Eric Rohmer)&lt;br /&gt;The Mission (1986, Roland Joffé)&lt;br /&gt;Hannah and Her Sisters (1986, Woody Allen)&lt;br /&gt;The Name of the Rose (1986, Jean-Jacques Annaud)&lt;br /&gt;The Sacrifice (1986, Andrei Tarkovsky)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Stand by Me (1986, Rob Reiner)&lt;br /&gt;The Singing Detective (1986, Jon Amiel)&lt;br /&gt;Ferris Bueller's Day Off (1986, John Hughes)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1987&lt;/strong&gt;&lt;br /&gt;Empire of the Sun (1987, Steven Spielberg)&lt;br /&gt;Red Sorghum (1987, Zhang Yimou)&lt;br /&gt;House of Games (1987, David Mamet)&lt;br /&gt;Pelle the Conqueror (1987, Bille August)&lt;br /&gt;Babette's Feast (1987, Gabriel Axel)&lt;br /&gt;A Chinese Ghost Story (1987, Ching Siu-Tung)&lt;br /&gt;The Last Emperor (1987, Bernardo Bertolucci)&lt;br /&gt;Good Morning, Vietnam (1987, Barry Levinson)&lt;br /&gt;Blind Chance (1987, Krzysztof Kieslowski)&lt;br /&gt;Goodbye, Children (1987, Louis Malle)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Maurice (1987, James Ivory)&lt;br /&gt;Epidemic (1987, Lars von Trier)&lt;br /&gt;Cobra Verde (1987, Werner Herzog)&lt;br /&gt;Evil Dead II (1987, Sam Raimi)&lt;br /&gt;Angel Heart (1987, Alan Parker)&lt;br /&gt;Wings of Desire (1987, Wim Wenders)&lt;br /&gt;Raising Arizona (1987, Coen Brothers)&lt;br /&gt;The Wicked City (1987, Yoshiaki Kawajiri)&lt;br /&gt;Planes, Trains &amp; Automobiles (1987, John Hughes)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1988&lt;/strong&gt;&lt;br /&gt;Landscape in the Mist (1988, Theodoros Angelopoulos)&lt;br /&gt;My Neighbor Totoro (1988, Hayao Miyazaki)&lt;br /&gt;Powaqqatsi (1988, Godfrey Reggio)&lt;br /&gt;The Last Temptation of Christ (1988, Martin Scorsese)&lt;br /&gt;A Short Film About Love (1988, Krzysztof Kieslowski)&lt;br /&gt;Grave of the Fireflies (1988, Isao Takahata)&lt;br /&gt;The Vanishing (1988, George Sluizer)&lt;br /&gt;Cinema Paradiso (1988, Giuseppe Tornatore)&lt;br /&gt;Time of the Gypsies (1988, Emir Kusturica)&lt;br /&gt;The Unbearable Lightness of Being (1988, Philip Kaufman)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Medea (1988, Lars von Trier)&lt;br /&gt;Akira (1988, Katsuhiro Ôtomo)&lt;br /&gt;The Big Blue (1988, Luc Besson)&lt;br /&gt;Mississippi Burning (1988, Alan Parker)&lt;br /&gt;A Short Film About Killing (1988, Krzysztof Kieslowski)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1989&lt;/strong&gt;&lt;br /&gt;Dekalog (1989, Krzysztof Kieslowski)&lt;br /&gt;A City of Sadness (1989, Hou Hsiao-hsien)&lt;br /&gt;Indiana Jones and the Last Crusade (1989, Steven Spielberg)&lt;br /&gt;Crimes and Misdemeanors (1989, Woody Allen)&lt;br /&gt;The Seventh Continent (1989, Michael Haneke)&lt;br /&gt;Holy Blood (1989, Alejandro Jodorowsky)&lt;br /&gt;Do the Right Thing (1989, Spike Lee)&lt;br /&gt;The Cook the Thief His Wife &amp; Her Lover (1989, Peter Greenaway)&lt;br /&gt;Henry V (1989, Kenneth Branagh)&lt;br /&gt;Driving Miss Daisy (1989, Bruce Beresford)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Glory (1989, Edward Zwick)&lt;br /&gt;Mystery Train (1989, Jim Jarmusch)&lt;br /&gt;My Left Foot: The Story of Christy Brown (1989, Jim Sheridan)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1990&lt;/strong&gt;&lt;br /&gt;Goodfellas (1990, Martin Scorsese)&lt;br /&gt;Journey of Hope (1990, Xavier Koller)&lt;br /&gt;Wild at Heart (1990, David Lynch)&lt;br /&gt;Close up (1990, Abbas Kiarostami)&lt;br /&gt;Dances with Wolves (1990, Kevin Costner)&lt;br /&gt;Ju Dou (1990, Zhang Yimou)&lt;br /&gt;Dreams (1990, Akira Kurosawa)&lt;br /&gt;Awakenings (1990, Penny Marshall)&lt;br /&gt;Jacob's Ladder (1990, Adrian Lyne)&lt;br /&gt;Henry &amp; June (1990, Philip Kaufman)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Metropolitan (1990, Whit Stillman)&lt;br /&gt;A Tale of Springtime (1990, Eric Rohmer)&lt;br /&gt;A Chinese Ghost Story II (1990, Ching Siu-Tung)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1991&lt;/strong&gt;&lt;br /&gt;Days of Being Wild (1991, Wong Kar Wai)&lt;br /&gt;A Brighter Summer Day (1991, Edward Yang)&lt;br /&gt;My Own Private Idaho (1991, Gus Van Sant)&lt;br /&gt;Raise the Red Lantern (1991, Zhang yimou)&lt;br /&gt;Europa (1991, Lars von Trier)&lt;br /&gt;Slacker (1991, Richard Linklater)&lt;br /&gt;The Commitments (1991, Alan Parker)&lt;br /&gt;And Life Goes on... (1991, Abbas Kiarostami)&lt;br /&gt;JFK (1991, Oliver Stone)&lt;br /&gt;The Double Life of Veronique (1991, Krzysztof Kieslowski)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Edward II (1991, Derek Jarman)&lt;br /&gt;Delicatessen (1991, Jean-Pierre Jeunet)&lt;br /&gt;Mediterraneo (1991, Gabriele Salvatores)&lt;br /&gt;Boyz n the Hood (1991, John Singleton)&lt;br /&gt;Fried Green Tomatoes (1991, Jon Avnet)&lt;br /&gt;La belle noiseuse (1991, Jacques Rivette)&lt;br /&gt;A Scene at the Sea (1991, Takeshi Kitano)&lt;br /&gt;Les Amants du Pont-Neuf (1991, Leos Carax)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1992&lt;/strong&gt;&lt;br /&gt;The Story of Qiu Ju (1992, Zhang Yimou)&lt;br /&gt;A Winter's Tale (1992, Eric Rohmer)&lt;br /&gt;Reservoir Dogs (1992, Quentin Tarantino)&lt;br /&gt;Man Bites Dog (1992, Rémy Belvaux &amp;amp; André Bonzel)&lt;br /&gt;Malcolm X (1992, Spike Lee)&lt;br /&gt;Baraka (1992, Ron Fricke)&lt;br /&gt;Indochine (1992, Régis Wargnier)&lt;br /&gt;Unforgiven (1992, Clint Eastwood)&lt;br /&gt;Lessons of Darkness (1992, Werner Herzog)&lt;br /&gt;The Last of the Mohicans (1992, Michael Mann)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Braindead (1992, Peter Jackson)&lt;br /&gt;The Player (1992, Robert Altman)&lt;br /&gt;Romper Stomper (1992, Geoffrey Wright)&lt;br /&gt;Scent of a Woman (1992, Martin Brest)&lt;br /&gt;Glengarry Glen Ross (1992, James Foley)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1993&lt;/strong&gt;&lt;br /&gt;Schindler's List (1993, Steven Spielberg)&lt;br /&gt;The Red Squirrel (1993, Julio Medem)&lt;br /&gt;Smoking/No Smoking (1993, Alain Resnais)&lt;br /&gt;The Blue Kite (1993, Tian Zhuangzhuang)&lt;br /&gt;The Piano (1993, Jane Campion)&lt;br /&gt;The Remains of the Day (1993, James Ivory)&lt;br /&gt;Farewell My Concubine (1993, Chen Kaige)&lt;br /&gt;Groundhog Day (1993, Harold Ramis)&lt;br /&gt;The Scent of Green Papaya (1993, Anh Hung Tran)&lt;br /&gt;Menace II Society (1993, Allen Hughes &amp; Albert Hughes)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Naked (1993, Mike Leigh)&lt;br /&gt;Short Cuts (1993, Robert Altman)&lt;br /&gt;Blue (1993, Krzysztof Kieslowski)&lt;br /&gt;Iron Monkey (1993, Yuen Woo-ping)&lt;br /&gt;Tombstone (1993, George P. Cosmatos)&lt;br /&gt;Carlito's Way (1993, Brian De Palma)&lt;br /&gt;Ninja Scroll (1993, Yoshiaki Kawajiri)&lt;br /&gt;Little Buddha (1993, Bernardo Bertolucci)&lt;br /&gt;Dazed and Confused (1993, Richard Linklater)&lt;br /&gt;In the Line of Fire (1993, Wolfgang Petersen)&lt;br /&gt;Much Ado About Nothing (1993, Kenneth Branagh)&lt;br /&gt;In the Name of the Father (1993, Jim Sheridan)&lt;br /&gt;What's Eating Gilbert Grape (1993, Lasse Hallström)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1994&lt;/strong&gt;&lt;br /&gt;To Live (1994, Zhang Yimou)&lt;br /&gt;Red (1994, Krzysztof Kieslowski)&lt;br /&gt;Quiz Show (1994, Robert Redford)&lt;br /&gt;Ashes of Time (1994, Wong Kar Wai)&lt;br /&gt;Forrest Gump (1994, Robert Zemeckis)&lt;br /&gt;Before the Rain (1994, Milcho Manchevski)&lt;br /&gt;The Shawshank Redemption (1994, Frank Darabont)&lt;br /&gt;Eat Drink Man Woman (1994, Ang Lee)&lt;br /&gt;In the Heat of the Sun (1994, Jiang Wen)&lt;br /&gt;Once Were Warriors (1994, Lee Tamahori)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Léon (1994, Luc Besson)&lt;br /&gt;Undo (1994, Shunji Iwai)&lt;br /&gt;Jizda (1994, Jan Sverák)&lt;br /&gt;Ed Wood (1994, Tim Burton)&lt;br /&gt;Riget (1994, Lars von Trier)&lt;br /&gt;L'Enfer (1994, Claude Chabrol)&lt;br /&gt;Hoop Dreams (1994, Steve James)&lt;br /&gt;White (1994, Krzysztof Kieslowski)&lt;br /&gt;Drunken Master II (1994, Liu Chia-Liang)&lt;br /&gt;Heavenly Creatures (1994, Peter Jackson)&lt;br /&gt;Natural Born Killers (1994, Oliver Stone)&lt;br /&gt;Death and the Maiden (1994, Roman Polanski)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1995&lt;/strong&gt;&lt;br /&gt;Heat (1995, Michael Mann)&lt;br /&gt;Se7en (1995, David Fincher)&lt;br /&gt;Casino (1995, Martin Scorsese)&lt;br /&gt;Antonia (1995, Marleen Gorris)&lt;br /&gt;Twelve Monkeys (1995, Terry Gilliam)&lt;br /&gt;Sense and Sensibility (1995, Ang Lee)&lt;br /&gt;Before Sunrise (1995, Richard Linklater)&lt;br /&gt;The Usual Suspects (1995, Bryan Singer)&lt;br /&gt;La Haine (1995, Mathieu Kassovitz)&lt;br /&gt;Underground (1995, Emir Kusturica)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Dead Man (1995, Jim Jarmusch)&lt;br /&gt;Toy Story (1995, John Lasseter)&lt;br /&gt;Persuasion (1995, Roger Michell)&lt;br /&gt;Fallen Angels (1995, Wong Kar Wai)&lt;br /&gt;Land and Freedom (1995, Ken Loach)&lt;br /&gt;Shanghai Triad (1995, Zhang Yimou)&lt;br /&gt;La Cérémonie (1995, Claude Chabrol)&lt;br /&gt;Shao Nu xiao yu (1995, Sylvia Chang)&lt;br /&gt;Ghost in the Shell (1995, Mamoru Oshii)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1996&lt;/strong&gt;&lt;br /&gt;Kolya (1996, Jan Sverák)&lt;br /&gt;Fargo (1996, Coen Brothers)&lt;br /&gt;Trainspotting (1996, Danny Boyle)&lt;br /&gt;Kids Return (1996, Takeshi Kitano)&lt;br /&gt;Hamlet (1996, Kenneth Branagh)&lt;br /&gt;The King of Masks (1996, Wu Tian-Ming)&lt;br /&gt;Breaking the Waves (1996, Lars von Trier)&lt;br /&gt;Shall we dansu? (1996, Masayuki Suo)&lt;br /&gt;L'Appartement (1996, Gilles Mimouni)&lt;br /&gt;The People vs. Larry Flynt (1996, Milos Forman)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Tierra (1996, Julio Medem)&lt;br /&gt;Picnic (1996, Shunji Iwai)&lt;br /&gt;Lone Star (1996, John Sayles)&lt;br /&gt;Crash (1996, David Cronenberg)&lt;br /&gt;Bound (1996, Wachowski Brothers)&lt;br /&gt;Secrets &amp; Lies (1996, Mike Leigh)&lt;br /&gt;Jerry Maguire (1996, Cameron Crowe)&lt;br /&gt;A Summer's Tale (1996, Eric Rohmer)&lt;br /&gt;Sling Blade (1996, Billy Bob Thornton)&lt;br /&gt;From Dusk Till Dawn (1996, Robert Rodriguez)&lt;br /&gt;The English Patient (1996, Anthony Minghella)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1997&lt;/strong&gt;&lt;br /&gt;Live Flesh (1997, Pedro Almodóvar)&lt;br /&gt;Wag the Dog (1997, Barry Levinson)&lt;br /&gt;The Eel (1997, Shohei Imamura)&lt;br /&gt;Sweet Hereafter (1997, Atom Egoyan)&lt;br /&gt;Taste of Cherry (1997, Abbas Kiarostami)&lt;br /&gt;Cube (1997, Vincenzo Natali)&lt;br /&gt;Lost Highway (1997, David Lynch)&lt;br /&gt;Contact (1997, Robert Zemeckis)&lt;br /&gt;Karakter (1997, Mike van Diem)&lt;br /&gt;Happy Together (1997, Wong Kar Wai)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Keep Cool (1997, Zhang Yimou)&lt;br /&gt;Chasing Amy (1997, Kevin Smith)&lt;br /&gt;Riget II (1997, Lars von Trier)&lt;br /&gt;Amistad (1997, Steven Spielberg)&lt;br /&gt;Same Old Song (1997, Alain Resnais)&lt;br /&gt;The Spanish Prisoner (1997, David Mamet)&lt;br /&gt;Jackie Brown (1997, Quentin Tarantino)&lt;br /&gt;Life Is Beautiful (1997, Roberto Benigni)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1998&lt;/strong&gt;&lt;br /&gt;The Red Violin (1998, François Girard)&lt;br /&gt;Saving Private Ryan (1998, Steven Spielberg)&lt;br /&gt;American History X (1998, Tony Kaye)&lt;br /&gt;The Legend of 1900 (1998, Giuseppe Tornatore)&lt;br /&gt;Happiness (1998, Todd Solondz)&lt;br /&gt;The Truman Show (1998, Peter Weir)&lt;br /&gt;Run, Lola, Run (1998, Tom Tykwer)&lt;br /&gt;Fucking Åmål (1998, Lukas Moodysson)&lt;br /&gt;Elizabeth (1998, Shekhar Kapur)&lt;br /&gt;Tango, no me dejes nunca (1998, Carlos Saura)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Earth (1998, Deepa Mehta)&lt;br /&gt;Dark City (1998, Alex Proyas)&lt;br /&gt;April Story (1998, Shunji Iwai)&lt;br /&gt;A Simple Plan (1998, Sam Raimi)&lt;br /&gt;Perfect Blue (1998, Satoshi Kon)&lt;br /&gt;Hilary and Jackie (1998, Anand Tucker)&lt;br /&gt;The Lovers of the Arctic Circle (1998, Julio Medem)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1999&lt;/strong&gt;&lt;br /&gt;American Beauty (1999, Sam Mendes)&lt;br /&gt;Eyes Wide Shut (1999, Stanley Kubrick)&lt;br /&gt;Magnolia (1999, Paul Thomas Anderson)&lt;br /&gt;The Matrix (1999, Wachowski brothers)&lt;br /&gt;The Insider (1999, Michael Mann)&lt;br /&gt;Boys Don't Cry (1999, Kimberly Peirce)&lt;br /&gt;The Color of Paradise (1999, Majid Majidi)&lt;br /&gt;Not One Less (1999, Zhang Yimou)&lt;br /&gt;Titus (1999, Julie Taymor)&lt;br /&gt;Fight Club (1999, David Fincher)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Office Space (1999, Mike Judge)&lt;br /&gt;Sleepy Hollow (1999, Tim Burton)&lt;br /&gt;Toy Story 2 (1999, John Lasseter)&lt;br /&gt;The Green Mile (1999, Frank Darabont)&lt;br /&gt;An Ideal Husband (1999, Oliver Parker)&lt;br /&gt;The Boondock Saints (1999, Troy Duffy)&lt;br /&gt;Wonderland (1999, Michael Winterbottom)&lt;br /&gt;Being John Malkovich (1999, Spike Jonze)&lt;br /&gt;My Voyage to Italy (1999, Martin Scorsese)&lt;br /&gt;Buena Vista Social Club (1999, Wim Wenders)&lt;br /&gt;The Wind Will Carry Us (1999, Abbas Kiarostami)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2000&lt;/strong&gt;&lt;br /&gt;Devils on the Doorstep (2000, Jiang Wen)&lt;br /&gt;Princes et princesses (2000, Michel Ocelot)&lt;br /&gt;Platform (2000, Jia zhangke)&lt;br /&gt;Memento (2000, Christopher Nolan)&lt;br /&gt;Love's a Bitch (2000, Alejandro González Iñárritu)&lt;br /&gt;Requiem for a Dream (2000, Darren Aronofsky)&lt;br /&gt;High Fidelity (2000, Stephen Frears)&lt;br /&gt;Malèna (2000, Giuseppe Tornatore)&lt;br /&gt;Smell of Camphor, Fragrance of Jasmine (2000, Bahman Farmanara)&lt;br /&gt;Dancer in the Dark (2000, Lars von Trier)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Yi yi (2000, Edward Yang)&lt;br /&gt;Chunhyang (2000, Im Kwon-taek)&lt;br /&gt;Chocolat (2000, Lasse Hallström)&lt;br /&gt;Almost Famous (2000, Cameron Crowe)&lt;br /&gt;American Psycho (2000, Mary Harron)&lt;br /&gt;In the Mood for Love (2000, Wong Kar Wai)&lt;br /&gt;Vampire Hunter D (2000, Yoshiaki Kawajiri)&lt;br /&gt;Crouching Tiger, Hidden Dragon (2000, Ang Lee)&lt;br /&gt;Songs from the Second Floor (2000, Roy Andersson)&lt;br /&gt;J.S.A.: Joint Security Area (2000, Park Chan-wook)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2001&lt;/strong&gt;&lt;br /&gt;Moulin Rouge! (2001, Baz Luhrmann)&lt;br /&gt;All About Lily Chou-Chou (2001, Shunji Iwai)&lt;br /&gt;The Piano Teacher (2001, Michael Haneke)&lt;br /&gt;The Lord of the Rings: The Fellowship of the Ring (2001, Peter Jackson)&lt;br /&gt;Waking Life (2001, Richard Linklater)&lt;br /&gt;Nowhere in Africa (2001, Caroline Link)&lt;br /&gt;In the Bedroom (2001, Todd Field)&lt;br /&gt;Amélie (2001, Jean-Pierre Jeunet)&lt;br /&gt;Kandahar (2001, Mohsen Makhmalbaf)&lt;br /&gt;The Travelling Birds (2001, Jacques Perrin)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Samsara (2001, Pan Nalin)&lt;br /&gt;Ghost World (2001, Terry Zwigoff)&lt;br /&gt;Mulholland Dr. (2001, David Lynch)&lt;br /&gt;Sex and Lucia (2001, Julio Medem)&lt;br /&gt;Monsters, Inc. (2001, Pete Docter)&lt;br /&gt;Gosford Park (2001, Robert Altman)&lt;br /&gt;No Man's Land (2001, Danis Tanovic)&lt;br /&gt;Monster's Ball (2001, Marc Forster)&lt;br /&gt;Super 8 Stories (2001, Emir Kusturica)&lt;br /&gt;Millennium Actress (2001, Satoshi Kon)&lt;br /&gt;Y tu mamá también (2001, Alfonso Cuarón)&lt;br /&gt;The Royal Tenenbaums (2001, Wes Anderson)&lt;br /&gt;Hedwig and the Angry Inch (2001, John Cameron Mitchell)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2002&lt;/strong&gt;&lt;br /&gt;City of God (2002, Fernando Meirelles)&lt;br /&gt;Talk to Her (2002, Pedro Almodóvar)&lt;br /&gt;The Hours (2002, Stephen Daldry)&lt;br /&gt;In America (2002, Jim Sheridan)&lt;br /&gt;To Be and to Have (2002, Nicolas Philibert)&lt;br /&gt;The Magdalene Sisters (2002, Peter Mullan)&lt;br /&gt;In This World (2002, Michael Winterbottom)&lt;br /&gt;Bowling for Columbine (2002, Michael Moore)&lt;br /&gt;Irréversible (2002, Gaspar Noé)&lt;br /&gt;25th Hour (2002, Spike Lee)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Frida (2002, Julie Taymor)&lt;br /&gt;Uzak (2002, Nuri Bilge Ceylan)&lt;br /&gt;The Pianist (2002, Roman Polanski)&lt;br /&gt;Naqoyqatsi (2002, Godfrey Reggio)&lt;br /&gt;Drumline (2002, Charles Stone III)&lt;br /&gt;Russian Ark (2002, Aleksandr Sokurov)&lt;br /&gt;Lilja 4-ever (2002, Lukas Moodysson)&lt;br /&gt;Far from Heaven (2002, Todd Haynes)&lt;br /&gt;28 Days Later... (2002, Danny Boyle)&lt;br /&gt;Infernal Affairs (2002, Lau Wai Keung)&lt;br /&gt;Gangs of New York (2002, Martin Scorsese)&lt;br /&gt;Xiao cheng zhi chun (2002, Tian Zhuangzhuang)&lt;br /&gt;Sympathy for Mr. Vengeance (2002, Park Chan-wook)&lt;br /&gt;24 Hour Party People (2002, Michael Winterbottom)&lt;br /&gt;The Crime of Father Amaro (2002, Carlos Carrera)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2003&lt;/strong&gt;&lt;br /&gt;Dogville (2003, Lars von Trier)&lt;br /&gt;Elephant (2003, Gus Van Sant)&lt;br /&gt;Blind Shaft (2003, Li Yang)&lt;br /&gt;Carandiru (2003, Hector Babenco)&lt;br /&gt;Big Fish (2003, Tim Burton)&lt;br /&gt;21 Grams (2003, Alejandro González Iñárritu)&lt;br /&gt;Capturing the Friedmans (2003, Andrew Jarecki)&lt;br /&gt;Spring, Summer, Autumn, Winter... and Spring (2003, Kim Ki-duk)&lt;br /&gt;The Lord of the Rings: The Return of the King (2003, Peter Jackson)&lt;br /&gt;Kill Bill: Vol. 1 (2003, Quentin Tarantino)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;PTU (2003, Johnny To)&lt;br /&gt;Identity (2003, James Mangold)&lt;br /&gt;Shattered Glass (2003, Billy Ray)&lt;br /&gt;Finding Nemo (2003, Andrew Stanton)&lt;br /&gt;The Dreamers (2003, Bernardo Bertolucci)&lt;br /&gt;The Return (2003, Andrei Zvyagintsev)&lt;br /&gt;The Last Samurai (2003, Edward Zwick)&lt;br /&gt;The Soul of a Man (2003, Wim Wenders)&lt;br /&gt;Good Bye Lenin! (2003, Wolfgang Becker)&lt;br /&gt;Memories of Murder (2003, Bong Joon-ho)&lt;br /&gt;A Touch of Spice (2003, Tassos Boulmetis)&lt;br /&gt;Lost in Translation (2003, Sofia Coppola)&lt;br /&gt;Coffee and Cigarettes (2003, Jim Jarmusch)&lt;br /&gt;The Best of Youth (2003, Marco Tullio Giordana)&lt;br /&gt;To Live Is Better Than to Die (2003, Chen Weijun)&lt;br /&gt;The Story of the Weeping Camel (2003, Byambasuren Davaa)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2004&lt;/strong&gt;&lt;br /&gt;Mysterious Skin (2004, Gregg Araki)&lt;br /&gt;Innocent Voices (2004, Luis Mandoki)&lt;br /&gt;2046 (2004, Wong Kar Wai)&lt;br /&gt;Gegen die Wand (2004, Fatih Akin)&lt;br /&gt;Summer Storm (2004, Marco Kreuzpaintner)&lt;br /&gt;Taegukgi hwinalrimyeo (2004, Kang Je-gyu)&lt;br /&gt;Tropical Malady (2004, Apichatpong Weerasethakul)&lt;br /&gt;Eternal Sunshine of the Spotless Mind (2004, Michel Gondry)&lt;br /&gt;Nobody Knows (2004, Hirokazu Koreeda)&lt;br /&gt;Life Is a Miracle (2004, Emir Kusturica)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;3-Iron (2004, Kim Ki-duk)&lt;br /&gt;Crash (2004, Paul Haggis)&lt;br /&gt;Kekexili (2004, Lu Chuan)&lt;br /&gt;Closer (2004, Mike Nichols)&lt;br /&gt;The World (2004, Jia zhangke)&lt;br /&gt;Vera Drake (2004, Mike Leigh)&lt;br /&gt;Sideways (2004, Alexander Payne)&lt;br /&gt;The Machinist (2004, Brad Anderson)&lt;br /&gt;Downfall (2004, Oliver Hirschbiegel)&lt;br /&gt;The Notebook (2004, Nick Cassavetes)&lt;br /&gt;The Aviator (2004, Martin Scorsese)&lt;br /&gt;Hotel Rwanda (2004, Terry George)&lt;br /&gt;Fahrenheit 9/11 (2004, Michael Moore)&lt;br /&gt;Dawn of the Dead (2004, Zack Snyder)&lt;br /&gt;Before Sunset (2004, Richard Linklater)&lt;br /&gt;Ima, ai ni yukimasu (2004, Nobuhiro Doi)&lt;br /&gt;The Sea Inside (2004,  Alejandro Amenábar)&lt;br /&gt;Kill Bill: Vol. 2 (2004, Quentin Tarantino)&lt;br /&gt;The Phantom of the Opera (2004, Joel Schumacher)&lt;br /&gt;Ghost in the Shell 2: Innocence (2004, Mamoru Oshii)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2005&lt;/strong&gt;&lt;br /&gt;C.R.A.Z.Y. (2005, Jean-Marc Vallée)&lt;br /&gt;Fateless (2005, Lajos Koltai)&lt;br /&gt;Hidden (2005, Michael Haneke)&lt;br /&gt;Match Point (2005, Woody Allen)&lt;br /&gt;Manderlay (2005, Lars von Trier)&lt;br /&gt;The Death of Mr. Lazarescu (2005, Cristi Puiu)&lt;br /&gt;The Constant Gardener (2005, Fernando Meirelles)&lt;br /&gt;Munich (2005, Steven Spielberg)&lt;br /&gt;No Direction Home: Bob Dylan (2005, Martin Scorsese)&lt;br /&gt;Enron: The Smartest Guys in the Room (2005, Alex Gibney)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Water (2005, Deepa Mehta)&lt;br /&gt;Election (2005, Johnny To)&lt;br /&gt;Syriana (2005, Stephen Gaghan)&lt;br /&gt;Qing hong (2005, Wang Xiaoshuai)&lt;br /&gt;Grizzly Man (2005, Werner Herzog)&lt;br /&gt;Ru guo · Ai (2005, Peter Chan)&lt;br /&gt;Brokeback Mountain (2005, Ang Lee)&lt;br /&gt;Oliver Twist (2005, Roman Polanski)&lt;br /&gt;Cinderella Man (2005, Ron Howard)&lt;br /&gt;V for Vendetta (2005, James McTeigue)&lt;br /&gt;Pride &amp; Prejudice (2005, Joe Wright)&lt;br /&gt;Who's Camus Anyway? (2005, Mitsuo Yanagimachi)&lt;br /&gt;Everything Is Illuminated (2005, Liev Schreiber)&lt;br /&gt;Good Night, and Good Luck. (2005, George Clooney)&lt;br /&gt;Sophie Scholl: The Final Days (2005, Marc Rothemund)&lt;br /&gt;Ballets russes (2005, Daniel Geller &amp; Dayna Goldfine)&lt;br /&gt;The World's Fastest Indian (2005, Roger Donaldson)&lt;br /&gt;The Cave of the Yellow Dog (2005, Byambasuren Davaa)&lt;br /&gt;Crossing the Bridge: The Sound of Istanbul (2005, Fatih Akin)&lt;br /&gt;Star Wars: Episode III - Revenge of the Sith (2005, George Lucas)&lt;br /&gt;Sin City (2005, Frank Miller, Robert Rodriguez &amp;amp; Quentin Tarantino)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2006&lt;/strong&gt;&lt;br /&gt;Sanxia haoren (2006, Jia zhangke)&lt;br /&gt;Babel (2006, Alejandro González Iñárritu)&lt;br /&gt;Children of Men (2006, Alfonso Cuarón)&lt;br /&gt;The Painted Veil (2006, John Curran)&lt;br /&gt;Inland Empire (2006, David Lynch)&lt;br /&gt;Letters from Iwo Jima (2006, Clint Eastwood)&lt;br /&gt;The Free Will (2006, Matthias Glasner)&lt;br /&gt;Perfume: The Story of a Murderer (2006, Tom Tykwer)&lt;br /&gt;Apocalypto (2006, Mel Gibson)&lt;br /&gt;The Lives of Others (2006, Florian Henckel von Donnersmarck)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Once (2006, John Carney)&lt;br /&gt;Deja Vu (2006, Tony Scott)&lt;br /&gt;Paprika (2006, Satoshi Kon)&lt;br /&gt;Cashback (2006, Sean Ellis)&lt;br /&gt;Inside Man (2006, Spike Lee)&lt;br /&gt;Election 2 (2006, Johnny To)&lt;br /&gt;The Fall (2006, Tarsem Singh)&lt;br /&gt;The Host (2006, Bong Joon-ho)&lt;br /&gt;Grbavica (2006, Jasmila Zbanic)&lt;br /&gt;Taxidermia (2006, György Pálfi)&lt;br /&gt;United 93 (2006, Paul Greengrass)&lt;br /&gt;Eight Below (2006, Frank Marshall)&lt;br /&gt;Away from Her (2006, Sarah Polley)&lt;br /&gt;Blood Diamond (2006, Edward Zwick)&lt;br /&gt;Tuya's Marriage (2006, Wang Quanan)&lt;br /&gt;The Fountain (2006, Darren Aronofsky)&lt;br /&gt;This Is England (2006, Shane Meadows)&lt;br /&gt;Days of Glory (2006, Rachid Bouchareb)&lt;br /&gt;Marie Antoinette (2006, Sofia Coppola)&lt;br /&gt;Renaissance (2006, Christian Volckman)&lt;br /&gt;Notes on a Scandal (2006, Richard Eyre)&lt;br /&gt;Pan's Labyrinth (2006, Guillermo del Toro)&lt;br /&gt;A Scanner Darkly (2006, Richard Linklater)&lt;br /&gt;The Science of Sleep (2006, Michel Gondry)&lt;br /&gt;Stranger Than Fiction (2006, Marc Forster)&lt;br /&gt;Memories of Matsuko (2006, Tetsuya Nakashima)&lt;br /&gt;Neil Young: Heart of Gold (2006, Jonathan Demme)&lt;br /&gt;Deep Water (2006, Louise Osmond &amp; Jerry Rothwell)&lt;br /&gt;The Pursuit of Happyness (2006, Gabriele Muccino)&lt;br /&gt;The Last King of Scotland (2006, Kevin Macdonald)&lt;br /&gt;The Road to Guantanamo (2006, Michael Winterbottom)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2007&lt;/strong&gt;&lt;br /&gt;Sicko (2007, Michael Moore)&lt;br /&gt;Zodiac (2007, David Fincher)&lt;br /&gt;Blind Mountain (2007, Li Yang)&lt;br /&gt;Atonement (2007, Joe Wright)&lt;br /&gt;Into the Wild (2007, Sean Penn)&lt;br /&gt;The Kite Runner (2007, Marc Forster)&lt;br /&gt;The Counterfeiters (2007, Stefan Ruzowitzky)&lt;br /&gt;There Will Be Blood (2007, Paul Thomas Anderson)&lt;br /&gt;The Diving Bell and the Butterfly (2007, Julian Schnabel)&lt;br /&gt;California Dreamin' (Nesfarsit) (2007, Cristian Nemescu)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Juno (2007, Jason Reitman)&lt;br /&gt;Ratatouille (2007, Brad Bird)&lt;br /&gt;Control (2007, Anton Corbijn)&lt;br /&gt;Nanking (2007, Bill Guttentag)&lt;br /&gt;Hot Fuzz (2007, Edgar Wright)&lt;br /&gt;La Môme (2007, Olivier Dahan)&lt;br /&gt;Elite Squad (2007, José Padilha)&lt;br /&gt;The Mist (2007, Frank Darabont)&lt;br /&gt;The Warlords (2007, Peter Chan)&lt;br /&gt;Stardust (2007, Matthew Vaughn)&lt;br /&gt;Persepolis (2007, Vincent Paronnaud)&lt;br /&gt;The Sun Also Rises (2007, Jiang Wen)&lt;br /&gt;The Edge of Heaven (2007, Fatih Akin)&lt;br /&gt;Cassandra's Dream (2007, Woody Allen)&lt;br /&gt;American Gangster (2007, Ridley Scott)&lt;br /&gt;Secret Sunshine (2007, Lee Chang-dong)&lt;br /&gt;Across the Universe (2007, Julie Taymor)&lt;br /&gt;Bridge to Terabithia (2007, Gabor Csupo)&lt;br /&gt;Taxi to the Dark Side (2007, Alex Gibney)&lt;br /&gt;Eastern Promises (2007, David Cronenberg)&lt;br /&gt;Live Free or Die Hard (2007, Len Wiseman)&lt;br /&gt;[Rec] (2007, Jaume Balagueró, Paco Plaza)&lt;br /&gt;The Simpsons Movie (2007, David Silverman)&lt;br /&gt;The Darjeeling Limited (2007, Wes Anderson)&lt;br /&gt;No Country for Old Men (2007, Coen Brothers)&lt;br /&gt;Mad Detective (2007, Johnny To &amp; Wai Ka-Fai)&lt;br /&gt;The Great Debaters (2007, Denzel Washington)&lt;br /&gt;4 Months, 3 Weeks and 2 Days (2007, Cristian Mungiu)&lt;br /&gt;Before the Devil Knows You're Dead (2007, Sidney Lumet)&lt;br /&gt;Grindhouse (2007, Robert Rodriguez &amp; Quentin Tarantino)&lt;br /&gt;Sweeney Todd: The Demon Barber of Fleet Street (2007, Tim Burton)&lt;br /&gt;The Assassination of Jesse James by the Coward Robert Ford (2007, Andrew Dominik)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2008&lt;/strong&gt;&lt;br /&gt;The Chaser (2008, Na Hong-jin)&lt;br /&gt;Gomorra (2008, Matteo Garrone)&lt;br /&gt;Man on Wire (2008, James Marsh)&lt;br /&gt;Food, Inc. (2008, Robert Kenner)&lt;br /&gt;Doubt (2008, John Patrick Shanley)&lt;br /&gt;Waltz with Bashir (2008, Ari Folman)&lt;br /&gt;The Wrestler (2008, Darren Aronofsky)&lt;br /&gt;Revolutionary Road (2008, Sam Mendes)&lt;br /&gt;Slumdog Millionaire (2008, Danny Boyle)&lt;br /&gt;The Curious Case of Benjamin Button (2008, David Fincher)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Milk (2008, Gus Van Sant)&lt;br /&gt;Ip Man (2008, Wilson Yip)&lt;br /&gt;Cloverfield (2008, Matt Reeves)&lt;br /&gt;WALL·E (2008, Andrew Stanton)&lt;br /&gt;Frost/Nixon (2008, Ron Howard)&lt;br /&gt;The Class (2008, Laurent Cantet)&lt;br /&gt;Body of Lies (2008, Ridley Scott)&lt;br /&gt;Changeling (2008, Clint Eastwood)&lt;br /&gt;The Reader (2008, Stephen Daldry)&lt;br /&gt;Gran Torino (2008, Clint Eastwood)&lt;br /&gt;Frozen River (2008, Courtney Hunt)&lt;br /&gt;Shine a Light (2008, Martin Scorsese)&lt;br /&gt;The Hurt Locker (2008, Kathryn Bigelow)&lt;br /&gt;Burn After Reading (2008, Coen Brothers)&lt;br /&gt;The Dark Knight (2008, Christopher Nolan)&lt;br /&gt;Vicky Cristina Barcelona (2008, Woody Allen)&lt;br /&gt;Synecdoche, New York (2008, Charlie Kaufman)&lt;br /&gt;I've Loved You So Long (2008, Philippe Claudel)&lt;br /&gt;Rachel Getting Married (2008, Jonathan Demme)&lt;br /&gt;Forgetting Sarah Marshall (2008, Nicholas Stoller)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2009&lt;/strong&gt;&lt;br /&gt;Moon (2009, Duncan Jones)&lt;br /&gt;Mother (2009, Joon-ho Bong)&lt;br /&gt;A Prophet (2009, Jacques Audiard)&lt;br /&gt;Antichrist (2009, Lars von Trier)&lt;br /&gt;The Hangover (2009, Todd Phillips)&lt;br /&gt;Mary and Max (2009, Adam Elliot)&lt;br /&gt;Whatever Works (2009, Woody Allen)&lt;br /&gt;The White Ribbon (2009, Michael Haneke)&lt;br /&gt;Capitalism: A Love Story (2009, Michael Moore)&lt;br /&gt;The Girl with the Dragon Tattoo (2009, Niels Arden Oplev)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;Coraline (2009, Henry Selick)&lt;br /&gt;District 9 (2009, Neill Blomkamp)&lt;br /&gt;A Serious Man (2009, Coen Brothers)&lt;br /&gt;Up in the Air (2009, Jason Reitman)&lt;br /&gt;The Secret in Their Eyes (2009, Juan José Campanella)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2010&lt;/strong&gt;&lt;br /&gt;127 Hours (2010, Danny Boyle)&lt;br /&gt;True Grit (2010, Coen Brothers)&lt;br /&gt;Inception (2010, Christopher Nolan)&lt;br /&gt;Black Swan (2010, Darren Aronofsky)&lt;br /&gt;Inside Job (2010, Charles Ferguson)&lt;br /&gt;Shutter Island (2010, Martin Scorsese)&lt;br /&gt;Alice in Wonderland (2010, Tim Burton)&lt;br /&gt;Echoes of the Rainbow (2010, Alex Law)&lt;br /&gt;The Social Network (2010, David Fincher)&lt;br /&gt;Detective Dee and the Mystery of the Phantom Flame (2010, Tsui Hark)&lt;br /&gt;&lt;br /&gt;Honorable Mention:&lt;br /&gt;I Saw the Devil (2010, Kim Jee-woon)&lt;br /&gt;The Ghost Writer (2010, Roman Polanski)&lt;br /&gt;Scott Pilgrim vs. the World (2010, Edgar Wright)&lt;br /&gt;How to Train Your Dragon (2010, Dean DeBlois, Chris Sanders)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2011&lt;/strong&gt;&lt;br /&gt;Warrior (2011, Gavin O'Connor)&lt;br /&gt;Melancholia (2011, Lars von Trier)&lt;br /&gt;A Separation (2011, Asghar Farhadi)&lt;br /&gt;Tree of Life (2011, Terrence Malick)&lt;br /&gt;The Ides of March (2011, George Clooney)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5853366542866928529-5860414568683568824?l=back4creative.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5853366542866928529/posts/default/5860414568683568824'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5853366542866928529/posts/default/5860414568683568824'/><link rel='alternate' type='text/html' href='http://back4creative.blogspot.com/2005/10/all-time-movie-list.html' title=''/><author><name>Tourist</name><uri>http://www.blogger.com/profile/01102483842697536526</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp2.blogger.com/_z5Itkou3V8c/Rfzp51dZQ7I/AAAAAAAAAOs/KYp2B_lKWTI/s400/blog1.jpg'/></author></entry></feed>
